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Stanley Kubrick's last ever film starring Tom Cruise and Nicole Kidman when they were still a real life couple. Tells a story of a New York doctor who becomes obsessed with having a sexual encounter after he finds out his wife was unfaithful. They decide to attend a secret group orgy and experiment, but they soon realise they have stumbled upon more than just a good time. (Warner Bros. Home Entertainment)

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novoten 

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English This desire truly burns the viewer and most importantly, it matures within them. It may have been a long time since I saw the film, but the suggestive feeling of presence at the ritual or paranoid thoughts of Bill still remain. Cruise and Nicole are brilliant, and Kubrick's construction of atmosphere with the help of minimalist musical accompaniment is also exceptional. ()

Remedy 

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English I once saw a bit of A Clockwork Orange in a summer camp movie theater, but otherwise I had been virtually uninitiated in Kubrick up until that point, save for a few documentaries and trailers. It was the master's last (and ironically my first) film that I saw in its entirety :)) and it must be said that it is a well thought out and functioning film combining elements of a psychological thriller and drama with an erotic touch and featuring a strong above-average performance by Tom Cruise (although I don't like Tommy otherwise, here he proves again that he is capable of acting really well under capable direction – just like in the case of Magnolia) and incredibly seductive Nicole Kidman. The slightly lighter soundtrack from the opening half hour is then replaced by a four-note (or five-note, I'm not sure now :))) piano motif, which at times gives you chills and gets under your skin quite unpleasantly.)) Otherwise, I can't remember a film in a long time that has so many memorable scenes (Alice's haunting monologue, the billiards scene, the opening dance with the "Hungarian", where the sexual tension between the two actors is masterfully captured). Before I got my first and Kubrick's last film home :)), I read somewhere that Kubrick's films resemble chess games – at the beginning they play with you, then they attack you quite sharply and thoughtfully, and at the end they might show you their method, and while you still feel only total defeat, you are totally fascinated (as in my case :)). So I have to say in conclusion that there is something to the chess comparison :)) 100% ()

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Lima 

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English I had my eyes really wide open, but the film failed to win me over. Yes, it’s technically precise, it couldn’t be otherwise with Stanley Kubrick, Cruise and Kidman were perfect, the cinematography was impressive and the musical score was evocative in places (the simple piano notes really worked and fit the atmosphere), BUT… there was no emotional or intellectual experience for me. The film is very cold and shallow in its message. It's also possible that I misunderstood it, and I don't really care in this case. I'm not sorry that I wasn't invited to the Kubrick’s last party this time, because I have fond memories of the previous ones. So Arrideverci! Sir, I have enjoyed all your creative life. ()

kaylin 

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English Finally! I finally fulfilled my last debt to my favorite Stanley Kubrick. I avoided this movie, maybe because of the subject matter. And I'm glad I finally watched it. It's not Kubrick's best film, but I simply like its visual and acting aspects. And I'm not talking about naked women. This is about getting into someone's head, and it's not a nice journey, even though it's bloodless. That makes it even more depressing. ()

POMO 

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English Kubrick embarked on several space odysseys because of existential questions, only to finally realise on the last one that the only thing that makes sense in life is a proper fuck. The question is whether he’s right. His brilliance and advanced age, and the not insignificant weight of the message – his last – confirm that he is. Eyes Wide Shut is three hours of psychological and stylistic ecstasy. ()

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