Terminator: Dark Fate
Directed by:
Tim MillerCinematography:
Ken SengComposer:
Tom HolkenborgCast:
Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Edward Furlong, Tom Hopper, Brett Azar, Steven Cree (more)VOD (5)
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Tim Miller directs this sixth instalment in the sci-fi action franchise. Set 27 years after events in Terminator 2: Judgment Day, the film follows Sarah Connor (Linda Hamilton) as she attempts to put a stop to new liquid metal Terminator Rev-9 (Gabriel Luna) from terminating cyborg Grace (Mackenzie Davis) and Dani Ramos (Natalia Reyes), a young woman who is mysteriously being tracked down by Rev-9. Rev-9 proves difficult to beat, however, and so Sarah and The Terminator (Arnold Schwarzenegger) must set aside their differences and team up with Grace to save Dani, whose fate and that of the world is in their hands. (20th Century Fox Home Entertainment)
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I have to say this out loud. This is the Terminator that I remember from my childhood. This is the continuation that I was wishing for after the second movie. Finally this is something that follows at least some logic and where Arnold Schwarzenegger and Linda Hamilton appear and all of that in combination with great action scenes makes sense. Tim Miller was a good choice and I’m glad that James Cameron was able to manage it from the financial aspect as well as the filmmaking one. Even though I wasn’t expecting anything or maybe just anger, at the end my eyes misted. This movie is as good as its upgraded opening song. It uses well-known Terminator motifs that are changed just slightly so that you can feel the nostalgia of the past emanate from it by adding just a few notes that were previously unknown to you. Moreover Arnold shows up less times that you would want but still it is enough for you not to forget him.
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Uff The new Terminator is a huge surprise and the ultimate action flick! With a few exceptions, I consider this year one of the weakest in terms of horror and blockbuster films, but October kicks the whole year off on a more positive note. I don't remember enough of the older installments to compare, so I'm rating this one and this one only, and although I went to the theater expecting a seven, I left with an enthusiastic ten. From start to finish, it is an intense, raucous and uncompromising action inferno with a perfect cast. Linda Hamilton and Arnold Schwarzenegger were good, but the big surprise is Mackenzie Davis, who gets gave me adrenaline and erections at the same time during the action scenes, and praise must also be given to the indestructible Gabriel Luna, who played the bad guy with grace. There is plenty of action, it's very varied, each time very spectacular and the music makes you slowly catch your breath, especially during the final scene where M. Davis spins the chain, I screamed with relish across the cinema, because the last time I saw such a choreography was from Iko Uwais in The Raid 2. Apart from the action, I praise the visuals, the dynamic pace, some apt wisecracks, the juicy R-rating and a pretty dark atmosphere. Great entertainment that I always have served up with a smile and enthusiasm. 10/10
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The T-800 lives with his family in a cabin in the woods, is an expert at ladies' curtains, raises and pets a dog on the porch, and just out of the blue decides (programmed, unprogrammed, it doesn't matter) to do good. In short, Terminator as a soap opera. Add to that the nowadays fashionable girl-power element (a six-foot-tall teenage girl is a leader of the resistance) and the last half-hour of overstuffed digital crap. And there’s not a single action scene with the charge of anything by Cameron. Sadly, the best – and in fact the only good – thing about the whole film is the ageing Linda Hamilton, who, with how poor her career has been for the last 20 years, clearly enjoyed it and had fun. Otherwise, a terrible mess that completely fucks up all the careful mythology outlined by Cameron. And as I look at the four stars here, people have either gone completely insane or they don’t need much to be happy. And by the way, in the cinema, my friend and I were in an empty auditorium all by ourselves, in the evening, in Liberec, a city of 100,000 and four days after the premiere. That, too, says something about the decline of once famous franchises.
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From the mid-1980s to the mid-1990s, the two greatest blockbuster titans, Arnold and Sly, competed with and responded to each other, but as we will discuss, Arnold always came out ahead because he thought about the audience and took everything with good humour. As their respective careers wind down, it seems that both men have remembered that period and brought their most iconic characters back to life. Both the fifth Rambo and the sixth Terminator are set on the border between the United States and Mexico and reflect the topical theme of migration to the U.S. Whereas Stallone’s entire movie slides into a feeble-minded conservative delusion, where he puts himself in the foreground, Arnold leaves space in the new Terminator for other characters to tell their stories. Though Dark Fate walks in the shadow of the first two films in the series, the awareness that it can never surpass them makes it possible to use its heritage to its advantage. Despite the fact that it relies heavily on fanservice, it does so light-heartedly and with charm, but it mainly has something to offer in addition to that. The shared scenes with Linda Hamilton and Arnold Schwarzenegger will please every fan, but there are much better and more essential scenes developing the character of Sarah Connor and even a whole storyline involving Grace, a soldier from the future. One could fault the film for merely following the list of liberal themes and motifs of today’s America. But like Cameron’s own films, Dark Fate depicts strong women not as a fetish or cliché conforming to the times, but simply based on the dramatic potential of female characters who, in the face of the given circumstances, fulfil their potential as active initiators of events and are cool characters. Likewise, the creators did not go the route of “updating” the franchise for the modern day (like the foolishly recombined preceding instalment), but rather used the dramatic potential of “minority” (in the sense of previously standing outside the mainstream) stories to strengthen their own narrative. So, even if one does not resist the euphoric statement that after many years, we finally have a properly entertaining Terminator here, it is all the more pleasing that it can also provide a properly feminine, freshly Mexican and simply functional perspective thanks to the superbly written and rendered characters. If you had previously hoped that at least Arnold would return in the next instalment, this time you wanted Linda Hamilton and especially Mackenzie Davis to return. ___ SPOILER -> ___ Incidentally, Dark Fate serves as a great practical example of the importance and power of representation for forming positive role models. This is due not only to the effect that it has on the audience, but also to one of the central motifs of the narrative, which is the dynamics between the characters, especially the central pair (where the film steers us toward anticipating a certain form of relationship in order to finally show that the core of that relationship is in fact admiration and respect). ___ <- SPOILER
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A solid action romp and probably to best sequel to Terminator 2, but it still smacks of yesterday’s mashed potatoes with a few added ingredients. In terms of story, it doesn’t bring anything new apart from the mysterious Carl and friendly Grace. The action and the special effects are fantastic, especially in the opening scene. Sarah is a bit too much of a caricature and the rescued girl a bit bland. Miller put together the next sequel that we wanted, but the only thing that it proves is that Cameron did the same, but much better back 1991. It’s raining naked ladies again.
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