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In this Freudian version of the Bluebeard tale, a young, trust-funded New Yorker goes to Mexico on vacation before marrying an old friend whom she considers a safe choice for a husband. However, there she finds her dream man - a handsome, mysterious stranger who spots her in a crowd. In a matter of days they marry, honeymoon and move to his mansion, to which he has added a wing full of rooms where famous murders took place. She discovers many secrets about the house and her husband, but what she really wants to know is what is in the room her husband always keeps locked. (Arrow Films)

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kaylin 

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English I must admit a little disappointedly that I expected more from Fritz Lang. Music-wise, the film is too imposing and too explicit, showing that this is something terrifying. Story-wise, it's incredibly suspenseful, but the ending definitely doesn't really help it and doesn't do it any justice. I could imagine more effective psychological scenes. ()

POMO 

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English Did Fritz Lang really have to so blatantly steal from Hitchcock? This is no homage or tribute to Rebecca; it is merely a less successful copy in every way. Secret Beyond the Door is further marred by its lack of gothic set designs to give it the necessary mysterious atmosphere and by the main male character without the necessary charisma. The potentially most interesting character of his son is criminally underdeveloped and the final revelation is unsatisfactory and banal. ()

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