Plots(1)
Is political cabaret merely a vain party piece among like-minded people? Since the wall came down, political satire has taken on an almost disturbing jester’s licence – is this a good sign? Or is it the case that freedom is always more marginalizing than prohibition. Censorship apparently doesn’t exist anymore. Or does it? And, if it does, then how and where? (DOK.fest München)
(more)Cast
Django Asül
West Germany
Best movies:
Tatort (1970) (series)
Frank-Markus Barwasser
West Germany
Jochen Busse
German Empire
Best movies:
The Final Solution: The Wannsee Conference (1984) (TV movie)
Asterix Conquers America (1994)
The Little Polar Bear (2001)
Werner Finck (a.f.)
German Empire
Best movies:
Love at Twenty (1962)
Roses for the Prosecutor (1959)
Playing at Love (1933)
Ottfried Fischer
West Germany
Best movies:
The Nasty Girl (1990)
Starke Zeiten (1988)
Beck (1997) (series)
Josef Hader
Austria
Best movies:
Come Sweet Death (2000)
Arthur & Claire (2017)
Bone Man, The (2009)
Dieter Hildebrandt
German Empire
Best movies:
Cow and I (1959)
Go Trabi Go (1991)
Luise Kinseher
West Germany
Best movies:
Tatort (1970) (series)
Das Pubertier - Der Film (2017)
Gerhard Polt
German Empire
Martin Puntigam
Austria
Peter Sodann
German Empire
Best movies:
Der Turm (2012) (TV movie)
Gundermann (2018)
Verbotene Liebe (1989)
Sigi Zimmerschied
West Germany
Best movies:
Peppermint Peace (1983)
Polizeiruf 110 (1971) (series)
Tatort (1970) (series)
Urban Priol
Germany
Bruno Jonas
West Germany
Best movies:
Pražské blues (1963)
Henning Venske
German Empire