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Although Belgium’s premiere sleuth Hercule Poirot (Kenneth Branagh) plans a spectacular Egyptian vacation aboard a glamorous river steamer, the trip turns into a terrifying search for a murderer after a picture-perfect couple’s honeymoon is cut tragically short. Set against a sweeping landscape of pyramids and desert vistas, Death on the Nile features a stunning ensemble cast. Based on Agatha Christie's beloved novel, this tale of unbridled passion and jealousy is filled with wicked twists and turns that will have you guessing until the shocking finale. (Disney / Buena Vista)

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3DD!3 

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English Perhaps I liked this even more than Orient Express. Branagh is excellent as Poirot and his black and white flashback is the most powerful scene of the entire movie. Although your can hear the paper rustling as for the detective crime plot, the acting ensemble gets the very most out of it. Emma Mackey is just fantastic. And we get to see Armie the Cannibal in his last role as well. Really, really good. ()

Lima 

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English At the beginning Branagh unnecessarily illuminates the reason for the moustache, he probably thinks we viewers are complete idiots, and then in artificial digital sets, coloured like gypsies' nails, he decides to desecrate an otherwise quite nice piece of literature. I wouldn't have expected this from him, someone with a theatre background. ()

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NinadeL 

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English Death on the Nile has always had a bit of something luxurious, fantastic, and amazing within it. The adaptation with Ustinov made the brand famous. Later there was a series with Suchet. And this year, we can tick off the excellent new version with Branagh, which I waited for during the entire pandemic. For a better experience, it was of course ideal to watch the new Murder on the Orient Express (2017). I wish there were a few more wonderful feature films like this, because Branagh's relationship to the world of Agatha Christie is not only smart, but respectful and courageous at the same time. It offers eye-candy shots of the whole Nile cruise and directorial work with very interesting actors. In addition to the statuesque Gal Gadot, we get the classically perfect Annette Bening, the Jennifer Saunders and Dawn French duo… ()

Remedy 

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English Unusually personal considering the character of Poirot, however the pre-title sequence in the trenches is one of the most powerful. It's actually takes a while to get going, it's just that Kenneth Branagh has the whole thing so beautifully shot and voiced that there’s not so much as a though of boredom. The seemingly drawn-out exposition in particular starts to make very good sense later on, and once the anticipated "whodunit" kicks in, it picks up in a big way. All in all, this is a really well done mainstream piece that respectably draws on its classic source material while being utterly professional and ultra-modern in its portrayal. If Branagh delivers another Poirot case in a similar style a few years from now, I’m definitely on it. [75%] ()

EvilPhoEniX 

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English Hercule Poirot for the second time, and another borefest. Murder on the Orient Express is one of the few films where I fell asleep in the cinema, and Death on the Nile has a similarly leisurely pace, but thankfully it didn't cost me my cinema ticket. Nothing happens for an hour, nothing at all. They introduce uninteresting characters in an uninteresting way with uninteresting dialogue, but fortunately in a fairly attractive setting (Egypt, the Nile) – a minor plus point compared to a Train – but I still found it woefully underwhelming. I don't find Hercule Poirot interesting as a detective, he doesn't have any gripping, revolutionary investigative methods, nothing to stand out, he's an intelligent gentleman doing his job but it doesn't add much to the viewing experience. The wait for a murder here is longer than the wait for a payday, and on top of that it's just the usual uninterestingly rendered murders in every other B-grade crime series. I don't see how a fan of Se7en, Hannibal and the like, where everything from the murders to the actual investigation works, can be satisfied with the outcome here. I was counting on at least the final reveal, where an interesting twist might come, but even that is readable from the opening minutes, even without knowing the source material. For me, the prototype of the most useless and least attractive crime drama that the world may see. Only pensioners can be entertained by this. Decent visuals, fine actors, but everything else completely passed me by both cinematically and as a viewer. Story 3/5. Action 0/5, Humour 2/5, Violence 1/5, Fun 2/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 2/5, Emotion 2/5, Actors 3/5. 4/10. ()

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