Hulk

At the time, Hulk was quite misunderstood and maybe it still is. The psychological comic adaptation was not positively accepted by the audience although I don’t get why. Ang Lee layers the atmosphere and brilliantly develops the personalities of the characters, Bruce Banner, Banner’s father, Betty, General Ross and only then does he focus on the action. The interesting thing is that even in the action scenes he doesn’t forget to think about the motivations and psychology of the characters. All their actions have a purpose. The action in itself is amazing (The Hulk vs. the dogs or the battle in the desert are genius). The cast is also excellent, especially Nick Nolte and Eric Bana. Thanks to those two, the final dialog was amazingly intriguing. I’m so sorry that the second Hulk is going to be shot with different creators according to a different template. If it was up to me, I would just keep developing the promising concept created by Lee. But who am I to be giving advice to the bosses in L.A., right? (27/04/2007)

What, five stars? For the boredom? Are you able to see properly? You do! I think this Hulk is perfect. Ang Lee probably figured that since he was making a comic book film, he wanted it to look like one... So he turned the canvas into comic book pages. He divides the image into frames and boxes, with the characters missing only bubbles with written texts above their heads. Lee's next feat is to turn a comic book that is all about fighting on paper (90% of Hulk’s stories) into an almost psychological film, a father and son drama, a description of the tragedy of a family. The scenes, dialogues and so on are well thought out, you can think about them, it's not just a dull chewing of the text. And when it comes to the action, it's spectacular and imaginative (the tank throw and dogfight lead the way). What more do you want? Me personally, nothing. One of the best comic book adaptations. Why, you ask? Precisely because it's different. (18/06/2009)

Hulk is fresh and innovative in its details, but it’s inconsistent as a whole. As the minutes pass, its large number of excellent (not just action) scenes and praiseworthy psychological dimension are transformed into a dramaturgically unbalanced and muddled mishmash. The second half of the film would need some relief from the “family drama” and to let the brilliant action and adventure go full throttle. Then it would have been a hell of a movie. The action scenes in the desert are outstanding. (08/07/2003)

A family drama and a comic book story – do they even go together? Yes, if a capable director takes it on, which Ang Lee undoubtedly is. Ironically, I enjoyed the much criticized first "action lacking" half the most. Thanks to the imaginative direction, the clever editing and the interesting division of the image into multiple windows, I was not bored for a moment. My enthusiasm waned a bit during the botched scene with the mutated dogs, but the subsequent moments in the Nevada desert satisfied my libido again. The tank demolition scene in particular was awesome. During the lengthy dialogue between father and son at the end, boredom began to take over, but certainly not fucking boredom, as one unnamed critic stupidly wrote. Oh, and one more thing, Hulk’s purple shorts were really nasty :) (11/10/2003)

An adaptation of a comic book that was a little before its time. It was one of the first to favor psychological aspects over action. Both elements are here and both great, although the low-key part is central point and the pillar carrying all of Hulk's weight. Eric Bana made the most of his opportunity, Jennifer Connelly is enchanting as usual and the rest of the cast fits its roles too. The only downside is that it is so strictly divided into a long psychological section at the beginning and pure action at the end. Better balanced blending might have improved things. (25/07/2007)