A Fistful of Dollars

  • USA A Fistful of Dollars (more)
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San Miguel is a one horse town that’s being pulled apart by two rival families. John Baxter, the crooked town sheriff with a sideline in weapons smuggling, seeks to establish his own version of law and order with support from his son, Antonio and their gang of thugs. But the Rojo Cartel - headed up by a trio of volatile brothers: Miguel, Ramón and Esteban - have their own ambitions for San Miguel and its strategic position on the Mexican border. Enter the Man with No Name: a laconic gunslinger for hire who drifts into town and, after learning of of the Baxter Rojo feud, spots an opportunity. He plays the warring clans off against one another and turns their vendetta to his advantage - but the stranger's duplicity riles both families, and the vengeful Rojos decide to take drastic action in the battle for San Miguel. (Park Circus)

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Reviews (8)

Necrotongue 

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English I was shocked at how well a nearly sixty-year-old film worked for me. I don't have a problem with Westerns as such; my problem is that their plot tends to be too simple and, therefore, easily predictable. And spaghetti westerns are no exception in this regard. If I wanted to defend my original four-star rating to myself, I had to look for reasons elsewhere. And I found them. 1) Clint Eastwood was great in the role of a gunslinger (the best as far as I'm concerned), 2) Ennio Morricone was an undisputed musical genius, 3) I enjoyed most of the Italian portrayals of the Wild West more than the authentic American originals (except for a few exceptions). And even though the film has been around for a while now, I can't say that the action scenes were half bad. Sure, you can tell it's an old film, but despite certain reservations, I will rewatch it at some point, which cannot be said about many current movies. So, I really enjoyed the story of a man in the middle who didn't mind whose fire he cooked his beans over. Just the Gatling gun was kind of weird. / Lessons learned: It might come as a shock to the younger generation, but no one in the film uses a mobile phone. ()

DaViD´82 

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English Leone’s first foray into western territory meant the arrival of a legend. This Kurosawa remake turned out particularly well and although Sergio was still fine-tuning his directing style to perfection, this is an amazing work. Of course, it can’t compete with Leone’s later masterpieces, which changed the face of cinema forever, but compared to the vast majority of other westerns (and other movies regardless of genre) its quality takes it to completely other spheres. ♫ OST score: 4/5 ()

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3DD!3 

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English This is where it all began. For westerns, for Eastwood and also maybe for Leone. The day when a gunslinger arrived in a small town. The story is simple, but nice, the same as the characters in it. And Clint straining snappy lines through his perpetual cheroot is just delicious. When a man's got money in his pocket he begins to appreciate peace. ()

Kaka 

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English Out of sentiment for the material and respect for the legend of Sergio Leone, it's hardly three stars. In A Fistful of Dollars it is clear that the cult trilogy is still in its infancy. The budget is lacking and the technical side is all over the place, but the foundation stones have been successfully laid. Clint Eastwood with his growl, a unique Ennio Morricone and a surprisingly well-written story that at times feels like a spaghetti Bolognese commercial. ()

D.Moore 

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English What an amazing start! When Monco puts a plate under his poncho and learns to shoot again with his crippled hands, I get chills down my spine - and it's the fault of all three gentlemen - Eastwood, Leone and Morricone. Thanks, guys. The final duel, which at one point is amazingly filmed as a shoe fight, must have been such an "event" in its time that all directors of westerns had their eyes popping out of their sockets. Good for them. At least they had a chance to prepare for what was coming in a few years. ()

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