The Elephant Man

The suggestive and oppressive atmosphere of a hostile city as a contrast to the soul of an internally beautiful person. Lynch occasionally goes beyond the discomfort of the audience in terms of human monstrosity and allows the defenseless individual to suffer too often, but in the end, it gets to me. Mainly because the final Adagio for strings is among the most melancholic scenes I have ever seen. (07/01/2006)

This Lynch picture tells us a lot about people. And it’s not all nice. In terms of film craftsmanship, this is precise work where the director doesn’t stray for an instant from the planned storyline and achieves absolutely engrossing atmospheres by working with light and the camera. The acting performances, primarily the hypnotized Anthony Hopkins, just go to underpin the perfection of this biographic drama. (01/10/2011)

A humanistic journey into the soul of a man who looks like a monster but is beautiful on the inside, The Elephant Man features masterful work with the camera and lighting, as well as extraordinary acting performances. The director’s take on his subject matter is so sensitive that it seems as if he has fallen to his knees before it. A filmmaking event with one of the most beautiful endings ever seen on the screen. (16/02/2009)

Fortunately, the initial shots, displaying signs of another Lynchian mystery, quickly transformed into a school analysis on the theme of humanism. Just as the image of the film is black and white, the character distribution follows this two-color scheme - the good guys and the bad guys. Despite the fact that the film is based on true events, I can't help feeling that it's all too perfectly orchestrated. David Lynch's reliance on the emotional expressions of actors is overly conspicuous. Especially in the first half, there is absolutely nothing said, while the second half at least begins to develop some progression in the plot and build relationships. However, this does not change the overall impression that the effort to avoid being a cheap tearjerker goes in vain, mainly because the deeper idea of humanity cannot be realized in the film due to its dry script. (28/10/2005)

There are some movies that I seem to avoid. "The Elephant Man" is one of them, even though it is a film by my great favorite David Lynch. But I feel the same with Kubrick. I still haven't seen "Full Metal Jacket". But finally, I got around to watching "The Elephant Man". One of the few films that Lynch made on a studio commission. It is a disgusting film, not because of how John Merrick looks, but because his life is disgusting. And not because life itself is disgusting, but because people are disgusting. Well, that's just the way it is, I guess I'll have to accept it. A beautiful film about a man who was never regarded as a real human being. Lynch's own presence is felt in it, the way he presented himself. Not as strongly as in his personal films, but some scenes are simply his. Like the opening or other dreamlike sequences. I almost wonder how it would have turned out if he had more freedom. Nevertheless, this is a beautiful film. (25/02/2014)