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Writer-director Greta Gerwig has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author's alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig's take, the beloved story of the March sisters - four young women each determined to live life on their own terms - is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March. (Sony Pictures Home Entertainment)

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angel74 

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English The 1994 adaptation of Louisa May Alcott's classic novel impressed me a little more than this movie directed by Greta Gerwig. Nevertheless, I cannot deny the movie's impressive portrayal of the atmosphere of a bygone era, its excellent cast and the acting performances. The costume design is also undoubtedly praiseworthy. But to be honest, I don't really understand the source of the general fascination with this romantic story, which I always found rather boring. (65%) ()

Othello 

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English A cinema visit to Little Women took me nostalgically back to my high school days at the mall. The full theater with only two men in it, or the lending of tissues between rows from the middle of the movie on reminded me again of the beauty of the collective cinematic experience that Netflix just can't give you. As for the film, it could probably get by with the fantastic performances from Saoirse Ronan and Florence Pugh alone, whose characters breathe with such life and energy that they redeem even a few of those Jehovah's Witness scenes full of Christmas tables, gifting the poor, and other kilos of goodness like a children’s book. Still, Greta Gerwig has chosen to break the entire two books into different episodes, which she stacks on top of each other, albeit without chronology, but in such a way that the events contained within them ideally have the strongest possible impact in terms of our moment-to-moment connection with a particular character. On several occasions we witness dialogue whose importance is revealed to us a scene later, which takes place either several years before or after the dialogue. Underneath all the liveliness, then, there is actually a clockwork that successfully tries to sell us, with the strongest possible impact, the most important personal moments in the lives of several characters. And it's quite possible that with a standard narrative, the film wouldn't have had such a strong impact. ()

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MrHlad 

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English This story of four sisters coming of age in the mid-nineteenth century and figuring out what they want out of life is surprisingly relevant in the twenty-first century. In it, Greta Gerwig gives space to the actresses in particular, who certainly don't let her down, and she handles the touching and funny scenes with complete ease. An honest and entertaining modern adaptation of a literary classic. It's just a pity that it is perhaps unnecessarily cold and aloof in its first half. ()

POMO 

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English This film’s greatest asset is the excellent casting of young, talented actresses who don’t yet cost as much as Scarlett Johansson, but can achieve at least the same girl-power when they work as a team. And, representing the older generation, Laura Dern and Meryl complement them nicely. It is literally a pleasure to watch all of these young ladies enjoying their characters and the beloved “girlish” material. They are just glad that they can be a part of it. I suppose Greta Gerwig also deserves credit for that, as she loves actors and has a talent for this kind of emotional storytelling. I actually dreaded it, and thus I was touched by it all the more. This is pure cinematic romanticism with an open heart. The chronological jumps in the story were confusing in places, but that didn’t have any effect on the emotional experience. Supporting actor Tracy Letts has had a great year, with his portrayal of a book publisher here to go along with the glowing role of Henry Ford II in Ford v Ferrari. ()

Stanislaus 

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English I went to the cinema to see the advanced premiere of Little Women and I can honestly say that I couldn't have picked a better movie for the last day of the year. I’m not familiar with the book, but I've always loved historical costume dramas, and when I saw everyone who was going to be in this film, I couldn't wait to see it on the big screen. Little Women impresses with a strong story that may smack a little of romance at times, but it is so believably written and above all superbly acted that you can safely ignore that and lets yourself ride the waves of a story about four sisters who couldn't be more different. All the actors played their parts to perfection and in a convincing manner, whether they were main or supporting roles. In addition, I must not forget the beautiful sets, the costumes and Alexandre Desplat's unmistakable music. Little Women mixes elements of drama, romance and humour in an artful and unforced way. I applaud and give it both thumbs up! ()

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