Jumanji: Welcome to the Jungle

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In Jumanji: Welcome To The Jungle, four teenagers – Spencer, Bethany, Fridge and Martha – who seemingly could not be more different, are thrown together in detention, where they are mysteriously pulled into the world of the Jumanji game. Very quickly, they realise they need to figure out how to work together in order to survive. In their new personas, they are each uniquely qualified to do specific tasks – but all of them (well, most of them) are also uniquely hindered by weaknesses that will slow their progress. (Sony Pictures Home Entertainment)

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Reviews (13)

Kaka 

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English An understandable generational upgrade of a classic for today's degenerate audience. Noisier, more digital, more spectacular, but also lacking in childlike charm and family values. Definitely cool fun for millennials with likeable jokes and big names in the cast that certainly don't make a disgrace. We older folks would rather watch the original from the 1990s, as this remake evaporates from our minds during the screening. ()

Zíza 

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English Okay, I wasn't expecting it, but surprisingly it was quite good. It was brisk, entertaining here and there, and well-paced from start to finish. I didn't even think the acting was bad, on the contrary everyone did a decent job. As a relaxing, no-frills follow-up to the 1995 film, it accomplishes what it's supposed to. A strong 3 stars. ()

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lamps 

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English That was good. The introduction is very bland and all the characters (except perhaps the sexy Bethany) are rendered unimaginatively and boringly, but the game is a lot of fun and almost constantly entertains by contrasting the newly created avatars with their real-life counterparts. And so it happened that I didn't mind The Rock, who is even more over the top than ever, or Kevin Hart, who was really funny most of the time, and of course not even Jack Black, who has never bothered me and also has perhaps his funniest role ever. The pacing is right on and I loved the overall concept of the narrative, which perfectly evokes the video game world and feels fresh and imaginative; the characters robotically saying their in-game lines, the gradual loss of lives and the system of several levels with new obstacles that didn't feel repetitive at all, which was something I was worried about. Sure, it's ridiculously digital and poorly edited at times, and there could have been even more humour, but I still had a great time, and I have to appreciate that Kasdan keeps an eye on the development of the story and characters and doesn't just relegate it to a mindless adrenaline rush across the digital environment (which is partly what killed Valerian). One of the nicest surprises of this year. ()

Goldbeater 

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English I do not like to rate movies on the basis of comparison, but it can not be any other way with such calculated unoriginal remakes. The original Jumanji from the 1990s had, in addition to well-developed characters played by great actors, another great advantage, because the whole magical adventure stemmed from the conflict of these characters with horrific scenes emerging from a board game in the real world. In addition, it worked very well on both comedic and dramatic levels, and even had a naturally evolved villain, created by the tumultuous relationship between father and son. As for Jumanji: Welcome to the Jungle, in short, well it is lacking all these things. The story has been updated and changed to a video game console, thus losing its magic, because in a video game, anything could happen really, and so the shock-value is lost. The plot is completely random, practically only going from point A to point B, and there is no room for a more powerful storyline, and the villain (Cannavale), is only an unnecessary obligatory device that could be completely omitted. The humor only comes from the basic premise of a weak nerd who finds himself inside an avatar of a muscle-man, a bimbo Barbie doll inside the avatar of a fat academic, etc. Actually, this is a terribly lazily designed remake. The only added value of the new Jumanji is that after watching it, perhaps more viewers will appreciate the original version with Robin Williams. ()

Othello 

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English The saddest thing about the new Jumanji isn't that it's a poorly made yawn that proves comedy directors simply aren't suitable material for shooting action or otherwise spectacular scenes, and the only thing that saves it is the casting of the central foursome of adults, with Jack Black in particular reigning supreme as a uniquely transgender character smuggled into a family film. Saddest of all is how the game of Jumanji itself has shifted from its promising origins. Whereas twenty years ago that board game gave us a breath of distant adventure in unexplored and dangerous wildernesses by confronting the protagonists with huge herds of game, giant insects, or quicksand, with the realization that some unspecified wilderness was out there close by, the new version brings us back down to earth. The reason is that this makes all too clear the end of unexplored lands, the end of experiences beyond the known, the end to bidding farewell to your doorstep, as the only way to begin a wild adventure is in an imaginary world in the body of an imaginary character, because there is nothing in the world left undiscovered and uncharted. The original Jumanji didn't particularly move me as a child, it didn't feel exhilarating, indeed the danger was tangible, much of the acting took place in a darkened attic full of old artefacts, the whole film was set sometime in a rainy fall, and the character of John Williams was essentially sadly tragic (he lost his entire childhood and adolescence somewhere on a white spot on a map...). This exuberant extravaganza poses no challenge to anyone, and it's tiresome as hell. ()

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