The Shallows

This film was undoubtedly an interesting one and offered a little bit of everything. Breathtaking scenery alternated with shots of Blake Lively's curves, followed by a surfing show. An element of tension was added by a digital shark whom I would instantly nominate for Best Supporting Actor. It did unprecedented things: chewed alcoholics in half, spat up surfboards incredibly high, broke chains, chewed iron structures, and, as the highlight of the show, juggled a dead cetacean. Only its diving skills left a little to be desired, but it made me remember another animated character I have always liked: Willie E. Coyote. To sum it up, it was more than obvious how it was going to end, which took away the suspense for me, but I did have a good laugh. Shame about the needlessly stretched-out ending. (19/02/2017)

An impactful, audiovisual thriller work that is nearly perfectly crafted in terms of the gradation of all key moments. Blake Lively effortlessly navigates through all positions, and when she emerges onto the board/whale/rock just a few centimeters away from the jaws of a shark, I thought I'd be left with the cinema armrests in my hands. Therefore, it is a pity that in the end, it doesn't deviate from going predictably over the top and you have to say goodbye to a great show as it instead turns laughable. Those genre boundaries that Jaume Collet-Serra skillfully tried to sweep away for a while are needlessly beaten up by the shallows at the very end. (11/08/2016)

It lacks the "something extra" I found in the recent The Grey, and the last five minutes are downright annoying, but otherwise The Shallows is more than a good - above all - spectacle. Blake Lively, colored by nature like in a travel agency catalogue, and the great shark (not shown much, not because it was difficult to make it, but because of the tension, which is good) were a joy to watch. The film goes by quickly, it's fast-paced and entertaining, the direction knows what to do to make sure there is not too much of anything (I liked one off-screen feast a lot) and the soundtrack by Marco Beltrami is definitely one of the best things to come out of film music this year. Pure four stars. (12/08/2016)

The Shallows is not a serious horror movie or thriller that would stay with you. It’s formally spectacular entertainment for a popcorn audience with some exciting moments, and it is full of crap, especially in the climax. It is kept above average only by the charm and acting skills of Blake Lively. In these waters, I prefer more minimalist and believable nerve-racking movies like The Reef. (16/08/2016)

When an ordinary mortal encounters a clearly pissed off and big white shark with a full set of teeth while surfing, they are instantly done for. But when such a shark encounters Blake Lively, an American who can expertly sew up a laceration with her own bracelet and is a warrior for her late mother, we suddenly have a wide-open and quite dynamic battle for survival. But as much as I initially enjoyed the rather cinematic story, and as much as Serra repeatedly satisfied me with quick but clear editing, solid pacing, and a lot of iconic shots of the beautiful Blake's semi-naked body, the depleted thematic well gradually began to show its negative effects, leading to a riveting but heavily exaggerated finale that doesn't even reach the tip of the back fin of Jaws. At home, thanks to Beltrami's unobtrusive (and wonderfully escalated) soundtrack it was alright, but I wouldn't go to the cinema to see something so blatantly digital. (29/07/2016)