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Gangster drama set in the American Midwest during the 1930s. Twelve-year-old Michael Sullivan Jr. is curious about what his father (Tom Hanks) does for a living, and one night decides to hide in his car as he goes off to work. It soon transpires that the elder Sullivan is a hitman for the mob, and when young Michael witnesses a killing carried out by the gangster boss' son Connor (Daniel Craig), it starts off a chain of events which will mark Michael's life forever. (20th Century Fox Home Entertainment)

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Reviews (13)

Necrotongue 

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English Road to Perdition is another film with my favorite theme. As Lord Vetinari used to say, if we can't eradicate crime, at least make it organized. The film had a great atmosphere, Tom Hanks' performance was excellent as usual, Jude Law was as pleasant as a bucket of slime and Paul Newman gave as fine a performance as Tom Hanks, as expected. I have only two gripes. It was crystal clear how it was going to end. I’m also not sure how it was possible that after the bullet hit the window, blood splattered the glass, but the projectile somehow mysteriously disappeared. ()

gudaulin 

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English Based on the successful comic book series by Max Allan Collins. With his film American Beauty, Sam Mendes raised expectations among critics and fans to such a level that he couldn't meet them, no matter how hard he tried. From my perspective, after careful consideration, I prefer Road to Perdition. Sure, in terms of choosing the subject matter, it was an obvious safe bet, but there was also a calculation with American Beauty, albeit a more subtle one. Mendes's gangster film is a compact piece in every way, with perfect cinematography, a strong story, and charismatic characters. Comparing Road to Perdition with what I've seen in the past year, I have no choice but to increase my rating to five stars. Overall impression: 90%. ()

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kaylin 

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English I can't help it, but Tom Hanks just didn't fit in there for me. Or maybe I just thought that Hanks would be a bit rougher. But such a breaking of image, he probably couldn't afford it. That Sam Mendes would make a good movie, that's quite clear, what surprises me more is that it's possible according to the comic book written by Max Allan Collins. I haven't read the comic yet, but I will get to it too. It's lying on my desk. Mendes chose the perfect style, the right visual side, and the intensity of the situations is mostly emphasized with a minimum of explicitness. The finale is excellent, I admit that I completely forgot about it. ()

Othello 

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English Consumed with sentiment, pathos, and seriousness until my monitor cracked. Mendes is still the devil, yes. Scenes like the final showdown are absolutely fabulous. I didn't mind the Hanks stuff either. However, overall, I don't like the combination of a gangster movie with a tragic drama about discovering a relationship with your son. As long as it stays within the confines of a mafia movie, it's a fantasy. However, once the film moves into the "I had a nightmare" "Do you want to talk about it?" stages, it's bad. Because that sentiment is a little bit tacky in this movie. ()

lamps 

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English Excellent, but missing something for a full rating, even if it fulfils almost everything I expected. First of all, superb actors, a precise atmosphere full of revenge and grief, and a lot of very well shot shootouts. Moreover, Sam Mendes is truly unique and his subtle and precise signature literally radiates from every shot. What disappointed me a bit was the poorly built-up finale and also, and I can't help it, the somewhat faintly outlined relationship between the killer-father and his young son, which should be the main driving force. Otherwise, though, Mendes has once again shown to be a brilliant director, and his Road to Perdition is a bleak and thrilling spectacle unparalleled in recent years. 85% ()

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