Mad Max 2: The Road Warrior

  • Australia The Road Warrior
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Few films compare with this full-throttle epic of speed and carnage that rockets you into a dreamlike landscape where the post-nuclear future meets the mythological past. Gibson returns as a heroic loner Max, who drives the roads of outback Australia in an unending search for gasoline. Arrayed against him and the other scraggly defenders of a fuel-depot encampment are the bizarre warriors commanded by The Humungus. (Warner Bros. UK)

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3DD!3 

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English A perfect action sci-fi just how I like them. The prolog is amazing (it beats most that you might see these days), a summary of all the important events in part one along with some glimpses of wars that caused the final ruin of civilization as we know it. Straight afterwards, we are treated to a great car chase with breathtaking stunts. We get to meet Max, who is looking for gas (like everybody else). He’s lucky. There’s a colony nearby with its own oil well. But nothing is for free... ()

J*A*S*M 

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English Desert, cars, trucks, petrol, blokes dressed badass… all things I don’t like, but I still I expected some decent entertainment from the cult Mad Max, a film that set the slightly clichéd template for pretty much every post-apocalyptic film. I didn’t get it, unfortunately. I acknowledge it as a strong source of inspiration, but otherwise, it’s weak, very weak. ()

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novoten 

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English I prefer minimalism and anguish of the original over the overdone and loud action in the sequel. Though George Miller defines the post-apocalyptic genre in its essence and thus opens the doors for dozens of successors, it only answers the question for me of why I don't look for adventure in similar places. ()

Isherwood 

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English Unlike the first film, the director "bothered" to outline at least a little bit of the vision of the post-apocalyptic world. It's nothing groundbreaking, and a rough cut of war scenes from documentaries is the easiest way to go. The script is also certainly not groundbreaking, and thus the pile of clichés may not be to the taste of the contemporary viewer and even the more tolerant individuals will struggle to swallow the overly theatrical dialogue. Fortunately, all of this is balanced by completely unique action sequences, which are unthinkable to film nowadays because some of the special effects numbers would make Hollywood insurance people throw a fit. Cinematographer Dean Semler excellently shot a vast desert wasteland and dusty trajectories trailing behind the cars are literally pouring from the screen onto the audience. Mel Gibson stepped up in the lead role and the soundtrack isn't quite as annoying. The cheesy B-movie aspects have shifted to a crazy romp (the costumes were stolen by the filmmakers from an S&M parlor!), yet it has no dead spots from first to last minute and watching it is actually perverse fun. ()

POMO 

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English A breathtaking post-apocalyptic action flick during which you feel the ubiquitous dust in your own mouth. Perfectly chosen locations, a dynamic plot with a powerful atmosphere, unique action scenes with cars. The Road Warrior is even better than the very good first Mad Max. What I wouldn’t give to see it on the big screen! ()

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