Ghostbusters: Afterlife

I’m as satisfied as I was in 2015 with Jurassic World. Once again, it was a fantastic follow-up to a film that everyone loves, introducing brand new characters, not just relying on nostalgia, entertaining for two hours old-timers and newcomers alike, having people in the cinema smiling from ear to ear. I really wasn’t expecting Afterlife to be so good, it’s such a joy. I was pleasantly surprised that the film doesn't have a main male character, but a heroine (Finn Wolfhard sorry, Mckenna Grace really rules here), and such a great heroine at that. But actually all the characters are funny, never awkward, and Jason Reitman cares as much about them as he does about the special effects, which beautifully combine the digital and the practical and, like everything else, are a joy to behold. If you are not moved by the opening, you will be moved by the ending. I would really love another sequel to fully close the circle. (07/01/2022)

Ghostbusters 4 unfortunately fell victim to covid and even after several years, the film's existence has gone largely unnoticed by those who obsessed over the original films. Which is a shame. Ghostbusters 3 had an advantage in terms of advertising thanks to the all-female team. The new generation revolves around the fact that Harold Ramis passed away, so the story mainly follows the Spengler family. The concept itself is very enjoyable, as the Spenglers have lived outside the realm of ghostbusters and with the exploration of their grandfather's legacy, memories of the adventures in the eighties can be refreshed for the audience. The forefront features the teenagers and their new buddies from the countryside. Everything fits together perfectly and eventually, Dan Aykroyd, Bill Murray, and Ernie Hudson make an appearance, so everything is exactly as it should be. It's a return to a classic family show that has been missing for a long time. (10/04/2024)

Ghostbusters of the new generation and it's a fun ride for all ages. The story takes place three decades after the first film, we follow a mother and her two children moving to a small town, to a farm their grandfather has left them as his inheritance, and the adventure ride can begin. It has a Stranger Things feel to it, maybe maybe because of Finn Wolfhard, but I really enjoyed Mckenna Grace (by the way what an amazing career at 15 years old: Malignant and Ready Player One), who plays a science nerd and is without a doubt the most interesting and best character. The humour works occasionally, although nothing crazy happens, the visuals are ok, but the CGI monsters were the weakest part of the film for me, though I loved the marshmallow men, they were morbidly cute and could easily have deserved an extra ten minutes. The film also relies a lot on nostalgia and references, which of course work. The film is also nicely heartwarming at the end and the fairer sex might be moved, which counts. It's not a big hit, but as a horror comedy for kids where adults can have fun it works well enough. Story 4/5, Action 3/5, Humour 3/5, Violence 0/5, Funny 4/5 Music 3/5, Visuals 3/5, Atmosphere 4/5, Suspense 3/5, Emotion 3/5, Actors 4/5.7/10. (09/01/2022)

A laid-back movie that mainly encourages you to watch the two preceding two parts. All of the characters are just great, likeable and well-acted. The central heroine with the face of Mckenna Grace is just wonderful. The wonderfully well-depicted nerdy outsider status with young side-kick Logan Kim carries Ghostbusters along with him in amazing way. Raitman decided for a Stranger Things type atmosphere, and he was right, because they are - you have to admit it - almost the same thing.  Then he added the Ectomobile and some other contraptions from the original Ghostbusters. The ending is more like a big cameo show/farewell (which hardened fans will certainly appreciate) than a full-blooded conclusion. The attempt at a different approach takes it down a little, but I understand that without it everybody would be disappointed. (09/01/2022)

The first Ghostbusters crossed with an Amblin-like children's summer adventure in a small town. Yes, it's undeniably an instant double load of 1980s nostalgia, but it's so sensitive compared to many others who've tried their hand at something similar and overused it in recent years. In fact, it works for the most part on its own (perhaps only the final quarter is too shot-by-shot and the same film). When you add in that "Legacy" (even in a creative father-son Ivan/Jason way), it can conjure a smile as much as it can grab your heart. Much better than one would dare hope for a sequel that comes a decade or so later than it should. What's more, it's a successful sequel that doesn't try anything groundbreaking, but fills its box solidly and entertainingly. (20/03/2022)