Shang-Chi and the Legend of the Ten Rings

A likeable and easily digestible advertisement for the East and all that is good about it. A philosophically and artistically easier to grasp version of Crouching Tiger, Hidden Dragon. Smart, unpretentious, with a focus on family values until the final few minutes, when it becomes another one of Marvel’s CGI fests about saving the world. The humour is alright and some of the action scenes are fantastic. The visual effects are a bit weaker, but it’s still watchable entertainment that, unlike other “secondary” Marvel flicks, can be sipped like good lemonade. (18/12/2021)

Marvel has gone the route of exploiting Eastern Asian culture and I would not mind if the final product was entertaining or at least interesting to the audience. This movie is neither. I got tired of live-action CGI comic book nonsense a long time ago, and Tony Leung and a few pretty choreographed scenes is not going to change that, unfortunately. (08/05/2022)

During the final battle, Shang-Chi lost most of the trump cards I had enjoyed so much for the previous hour and a half, and it's a shame. Amazing choreography of fights, which I have not seen since Crouching Tiger, Hidden Dragon, beautiful design including music, brand new characters, but at the same time characters so nicely and naturally fitting into the world of Marvel, interesting and impressive story - family drama, of course humor... All this together makes an absolutely excellent adventure and simply set the bar so high that the mentioned finale had nowhere to take it. But four stars would simply be too few, because it's a very honest film that the creators cared about, and it's so much better than last year's Black Widow. (04/09/2021)

The more/longer is it just a fantasy kung fu fairy tale rather than a Marvel movie, the better it is. What works throughout is the dynamics and likeability of the Leung/Awkwafina duo, the solid action choreography by Marvel standards (a sort of "post-Western wu-sia"), and, wonder of wonders, even a charismatic villain with understandable motivations. In the second half, things get a bit sketchy, because the writers don't know what to do with Awkwafina's character, and so she's turned into "Mulan Sue" out of nowhere, and the sister, who would work as a supporting character, is unjustifiably shoved into the foreground, where the creators have nothing for her. Also, the humour that has worked up to that point is killed by the overuse of a joke with an unnamed (non)actor and his sidekick. All the Marvel moments (characters, references, events) are incorporated, but they are kind of broken over both knees (except for the successful first meeting scene). It is then crowned with a downward trend of CGI kaiju shenanigans during the final act, which is a great shame, because it takes away from the solid choreography. What keeps the final act afloat, on the other hand, is the likeability of the new characters and the passable personal/emotional level. Still one of the best Marvel movies to take on an original character and introduce them to the world. (19/10/2021)

It's a surprisingly coherent extravaganza that, while it loses a bit of pace in places and relies on the element of coincidence (Ben Kingsley's talking ass-pet), holds together as a whole both with its connection to the overarching cinematic universe and its own family storyline with an interesting villain. It's not so much the likeable Shang-Chi, with whom today's younger generation in particular will readily relate to, as his conflicted father that drives the narrative, which is well consolidated especially in the action scenes, each of which moves the story somewhere, and moreover are themselves good and varied – and when the visual brouhaha kicks in, as in the dragon slayer ending, at least the carefully developed family line works. I didn't have high expectations and I'm not jumping with enthusiasm either, but Marvel still keeps the bar high and I find it admirable that they're not afraid to experiment with cultural formulas like this and send an almost purely Asian fantasy to the cinemas, which of course will earn them a cool profit. 75 (08/09/2021)