The Ladykillers

  • USA The Ladykillers (more)
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Plots(1)

Underneath Professor G.H. Dorr's (Hanks) silver-tongued southern gentleman persona is a devious criminal who has assembled a motley gang of thieves to commit the heist of the century by tunneling through his churchgoing landlady's root cellar to a casino's vault of riches. But these cons are far from pros. As their scheme begins blowing up in their faces, their landlady smells a rat. And when she threatens to call the police, they figure they'll just bump her off. After all, how hard can that be? (official distributor synopsis)

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Reviews (8)

POMO 

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English The Ladykillers starts out quite promisingly, but the Coens gradually run out of steam. The jokes aren’t as effective as they would have liked, and since practically all of the key twists, including the final one, are based on them, the film jumps around on one foot until the closing credits. Only Tom Hanks and the old lady, who was excellent, deserve extra praise. ()

Isherwood 

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English The plot of the weak script (I don't care that it's a remake), drowned in poor directorial execution, is not yet a clear example of the Coen brothers' softening; rather, it is a prime example of them confidently "missing the mark." Everything that happened in the film could be told in a few minutes, but fortunately, these two gentlemen tell it differently, and thus the sequence of darkly humorous situations, mixed with an abundance of absurdities as if taken from Murphy's Law, should theoretically not keep you waiting for long. However, the only genuine joke that could be labeled as typically "Coen-esque" seems to be thrown into the film almost casually and has nothing to do with the plot – I'm referring to the filming of a commercial for dog food. In a plot that resembles Ocean's Eleven too much, we also encounter characters who lack any sort of energy, and we don't get any good jokes from them, making the film unwatchable, prolonged, and incredibly boring. When it ended (just as I expected) I somehow couldn't help my inner disillusionment and the question crept in subtly: "Have the Coen brothers really gone soft?" ()

Marigold 

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English An excellent comedy from the masters’ workshop. A small, cute statuette that will amuse, please and caress the soul. It is not worth building this statue next to large statues such as The Big Lebowski or Fargo. The Coen brothers simply experimented with a lighter genre and created a simple comedy full of great caricatures. You say that caricatures have no insides? Well, their magic is on the surface. In Professor Dorr's perfectly trimmed beard, Mrs. Munson's cheerful face, in the general's icy calm mask... Such are the true poetics of this film. Black as morning coffee, jolly as a gospel choir, linguistically perfectly tuned, and full of excellent caricatures. It is not worth looking for depth in the film, because it is a brisk gag, a funny situation and, as always, ironic directing by Joel and Ethan... What more could you want than pure entertainment with the hallmark of independent cinematography and the glory of a Hollywood star? What more could you want than wonderful actors led by the excellent Hanks and the natural Irma P. Hall? I was divinely entertained and I even forgot that the Coen brothers have made better movies. ()

novoten 

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English Coen brothers let Hanks and Co. scream, run around, act weird, and perform various antics for so long that the viewer doesn't care anymore whether their plan succeeds in the end. Moreover, the ending is so desperately predictable that not even several malicious screenwriting ideas can help it. Placing this particular film between Intolerable Cruelty and No Country for Old Men in their biography is literally a sin. ()

gudaulin 

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English I like Coen brothers, they are among my favorite directors, but this somehow didn't work for them and the result was, from my perspective, the weakest film in their filmography. Clearly weaker than the original version. Their characters this time are just superficial figures and not even Tom Hanks in the main role will save it. The biggest weakness is generally the screenplay, the quality of the dialogues is unsatisfactory and the comedy simply lacks humor. Overall impression: 45%. ()

D.Moore 

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English One of the few remakes that is better than the original. It’s more brisk, more witty, more cynical, more black-humored... Just better. The Ladykillers is the perfect relaxing movie for me, a movie for every time of day, every season. The Coens knew exactly what the original film lacked.__P.S. I wonder how many people will get upset now when they read that I actually like The Ladykillers more than The Big Lebowski? ()

lamps 

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English I always expect high quality from movies starring Tom Hanks, but this comedy didn't really hit the mark. The landlady is exactly the seemingly inconspicuous "danger" I was expecting from her and the attempts to destroy her did amuse me, but the humour didn't really suit me otherwise. The script does contain a point about a spectacular heist, but it’s completely lacking in ideas and originality, and the spectacularity is totally out of place. But not to only criticize, The Ladykillers is an ideal film for relaxing and unwinding with a few good jokes, where you don't have to think too much. Also, Tom Hanks is great as always and brings the level of the whole thing a bit higher. ()

kaylin 

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English I wasn't really impressed by this movie and it doesn't measure up to its source material, even though it tries to appear more modern. Tom Hanks is surprisingly good in his role, as well as the supporting characters, and the Coen brothers gave it an interesting style, but I still don't think it works as a comedy fundamentally well. I didn't find it entertaining and the absurd ending didn't thrill me, and I actually enjoy absurd dramas. ()