Troy

An ambitious epic that stumbles over its miserable screenplay and idealess directing. A tirade of mediocre scenes and seeming ignorance of the myth make Troy an uninteresting attempt at a great movie which is closer to being a big studio sword-and-sandal Cecil B. DeMille epic than a modern movie intended for the big screen. ♫ OST score: 2/5 (29/01/2007)

There’s a problem with Troy. On one hand it has excellent acting performances and spectacular production design, on the other fluctuating directing and stiff dialogs. The screenplay is also a little shaky, making it seem like the Trojan War lasted just a couple of months, instead of ten years. But I appreciate that Benioff wrote everything to be very natural (meaning non-fantasy) and “undivine". But back to Peterson’s directing. In the battles and in some scenes he show that he is able to invoke the right atmosphere and knows how to form the action properly, but in some places he lacks consistency. The music is also a handicap, written in haste by a new composer at the last minute. In terms of acting, as I already said, Troy is excellent. Surprisingly the main star Brad Pitt is easily overshadowed by Eric Bana (both my eyes were moist when Hector was dying ;). Sean Bean didn’t manage to steal much room for his Odysseus, but even so he easily nailed the role of treacherous king. I must also admit that Orlando Bloom had a very thankless role. Playing the greatest idiot in the greatest Greek war isn’t such a trump as it may seem at first sight. But he did a fine job of the role and I must admit that throughout the movie I kept on swearing at Paris under my breath. I remember one thing that made me feel for him for a minute. It was in the scene on the coast when he said: “Burn that horse." And they didn’t obey him. (16/12/2006)

In the past, this epic Homeric soap opera was enough to make me ecstatic, but times have changed. Troy looks gorgeous, has sequences that can be replayed to the point of insanity, and an unprecedentedly bloated and luxurious cast (except for Legolas, who’s awful again), but the film overestimates itself. While Petersen has confirmed many times that he’s a very capable director, here he has completely forgotten to provide any cohesive parallel developments that would keep the viewer's attention focused for two and a half hours and build the whole mythical conflict up to a scale of fatality higher than the staid Pearl Harbor-type level. The truly impressive adrenaline-packed sequences are interspersed with dull to uninteresting ones, which establish and develop relationships between characters of no importance to the main plot (and this despite the fact that the characters themselves are great – the narcissistic Pitt is brilliant, the chivalrous Bana is an exemplary good guy, Brian Cox is a sleazy villain, and Sean Bean should have been given his own sequel as the likeable Ulysses –  I'll never forgive Hollywood for that). Taken together, it stands as a beautifully made spectacle for the cinema, but its soul is as empty as the stomachs of Somali children, despite its grandeur. 65% (06/05/2018)

Troy is definitely not bad and it has everything that a big-budget production can offer: young and attractive actors, solid war scenes and somewhat decent romance. Above all, it benefits from the stunning Iliad, although unfortunately it only took the rough skeleton and some essential events from it. The notable drawbacks are Diane Kruger and Orlando Bloom, who seem like advertising mannequins – completely unbelievable. On the other hand, Brad Pitt and Eric Bana are surprising. Wolfgang Petersen is more than a decent craftsman who can handle large budgets and thousands of extras. The ending is powerful and the voice-overs are extremely stylish and suitable for this type of film. It's necessary to see the Director's cut, it has gripping bloody battles and at least half a star up. (24/05/2004)

Homer did not deserve this. The Olympian gods didn't deserve it either. The screenwriter completely omitted them, thus depriving the famous story of its true spice, the element of magic and mysticism that so befits ancient epics. If there aren’t any gods or magic, what’s left? A script that is hackneyed, very distantly inspired by “The Iliad”, full of clichés, pathetic chatter and would-be deep thoughts, a boring story that doesn't grab you by the heart and is clumsily told. And there’s not even eye-candy! I just have to laugh at Petersen's talk of "unprecedentedly clear fight scenes", it's just the opposite and the very good Hector vs. Achilles fight doesn't save it. It's not surprising that all the essential fight scenes are seen in just the trailer. If I had to make a comparison, Scott's Gladiator, with about half the budget, looks much more narrative, and although the script was similarly silly, it was a real visual treat, which can't be said of Troy. A few computer-generated shots of the city and incoming ships, Petersen's lacklustre direction lacks any ideas, with rare exceptions. The music wasn't great either, and a few words about the actors: I believed Pitt's arrogant Achilles, Bana is incredibly charismatic, O'Toole is still a great actor, only Bloom, with his not very wide acting register, spoils it and regularly alternates between two expressions: a timid and stubborn. The boss at Warner was in tears during the screening. I wonder if it wasn’t for the desperation of where they burned those 200 million bucks. Poor guy. (16/05/2004)