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Swords and sandals abound in this epic tale of love and war starring Brad Pitt as the muscle-bound Achilles. Set in 1193 BC, the film is based on Homer's sprawling epic poem 'The Iliad'. It tells the story of Paris, Prince of Troy (Orlando Bloom), who falls in love with the wife of King Menelaus of Sparta (Brendan Gleeson), the beautiful Helen (Diane Kruger). He persuades her to leave her husband and go back with him to Troy, sparking a war between the Mycenaeans, led by Menelaus's brother Agamemnon (Brian Cox), and the armies of Troy, led by Prince Hector (Eric Bana). The City of Troy, governed by King Priam (Peter O'Toole) has never before succumbed to seige or battle, but Agamemnon and the Mycenae Greeks have a formidable ally: the great and seemingly indomitable Achilles. Political intrigue, passionate love trysts and one-on-one fight sequences take place against a background of sweeping battle scenes as the armies of ancient Greece and the city of Troy engage in their epic and bloody war. (Warner Bros. Home Entertainment)

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lamps 

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English In the past, this epic Homeric soap opera was enough to make me ecstatic, but times have changed. Troy looks gorgeous, has sequences that can be replayed to the point of insanity, and an unprecedentedly bloated and luxurious cast (except for Legolas, who’s awful again), but the film overestimates itself. While Petersen has confirmed many times that he’s a very capable director, here he has completely forgotten to provide any cohesive parallel developments that would keep the viewer's attention focused for two and a half hours and build the whole mythical conflict up to a scale of fatality higher than the staid Pearl Harbor-type level. The truly impressive adrenaline-packed sequences are interspersed with dull to uninteresting ones, which establish and develop relationships between characters of no importance to the main plot (and this despite the fact that the characters themselves are great – the narcissistic Pitt is brilliant, the chivalrous Bana is an exemplary good guy, Brian Cox is a sleazy villain, and Sean Bean should have been given his own sequel as the likeable Ulysses –  I'll never forgive Hollywood for that). Taken together, it stands as a beautifully made spectacle for the cinema, but its soul is as empty as the stomachs of Somali children, despite its grandeur. 65% ()

Lima 

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English Homer did not deserve this. The Olympian gods didn't deserve it either. The screenwriter completely omitted them, thus depriving the famous story of its true spice, the element of magic and mysticism that so befits ancient epics. If there aren’t any gods or magic, what’s left? A script that is hackneyed, very distantly inspired by “The Iliad”, full of clichés, pathetic chatter and would-be deep thoughts, a boring story that doesn't grab you by the heart and is clumsily told. And there’s not even eye-candy! I just have to laugh at Petersen's talk of "unprecedentedly clear fight scenes", it's just the opposite and the very good Hector vs. Achilles fight doesn't save it. It's not surprising that all the essential fight scenes are seen in just the trailer. If I had to make a comparison, Scott's Gladiator, with about half the budget, looks much more narrative, and although the script was similarly silly, it was a real visual treat, which can't be said of Troy. A few computer-generated shots of the city and incoming ships, Petersen's lacklustre direction lacks any ideas, with rare exceptions. The music wasn't great either, and a few words about the actors: I believed Pitt's arrogant Achilles, Bana is incredibly charismatic, O'Toole is still a great actor, only Bloom, with his not very wide acting register, spoils it and regularly alternates between two expressions: a timid and stubborn. The boss at Warner was in tears during the screening. I wonder if it wasn’t for the desperation of where they burned those 200 million bucks. Poor guy. ()

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POMO 

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English A sugary parade of stars and spectacular fight scenes. The actors are decent and the production design is nice. The fight between Achilles and Hector may be the best I have seen in the genre, though that’s debatable. Troy doesn’t have even a fraction of the charm of William Wyler’s films and is nothing more than a calculated, technically brilliant popcorn flick. ()

3DD!3 

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English There’s a problem with Troy. On one hand it has excellent acting performances and spectacular production design, on the other fluctuating directing and stiff dialogs. The screenplay is also a little shaky, making it seem like the Trojan War lasted just a couple of months, instead of ten years. But I appreciate that Benioff wrote everything to be very natural (meaning non-fantasy) and “undivine". But back to Peterson’s directing. In the battles and in some scenes he show that he is able to invoke the right atmosphere and knows how to form the action properly, but in some places he lacks consistency. The music is also a handicap, written in haste by a new composer at the last minute. In terms of acting, as I already said, Troy is excellent. Surprisingly the main star Brad Pitt is easily overshadowed by Eric Bana (both my eyes were moist when Hector was dying ;). Sean Bean didn’t manage to steal much room for his Odysseus, but even so he easily nailed the role of treacherous king. I must also admit that Orlando Bloom had a very thankless role. Playing the greatest idiot in the greatest Greek war isn’t such a trump as it may seem at first sight. But he did a fine job of the role and I must admit that throughout the movie I kept on swearing at Paris under my breath. I remember one thing that made me feel for him for a minute. It was in the scene on the coast when he said: “Burn that horse." And they didn’t obey him. ()

JFL 

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English Troy is notable primarily as a case study on how Hollywood adapts a classic work with countless characters, motifs and both supernatural and earthbound elements into the form of a spectacular mainstream popcorn epic needing fewer characters, a few cleanly resolved storylines and, mainly, the omission of everything that could be off-putting for the supposed majority of viewers, i.e. everything from deities to non-heterosexual relationships. ()

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