The Aviator

A stunning cinematic work by a true artist, both in image and acting. I wasn't bored even for a minute, the runtime was okay, I actually wouldn't have minded a bit more. And the emotional impact on me was all the greater because I have dealt with obsessive compulsive disorder in my life, so I know exactly what Scorsese was talking about, and that he didn't miss the mark is evidenced by the feelings of one of my friends, also OCD, who was shocked to find himself in the character of Howard Hughes. So, thank you Sir. (29/10/2005)

The Aviator is not Martin Scorsese’s best film and, in my opinion, it doesn't even belong among the best ones. It is beautifully shot, but that's about it. There are plenty of unforgettable scenes, shots, and dialogues, but the end result doesn't have such a strong impact, and there is no deeper emotional experience. Surprisingly, technically, the movie is quite uneven, and sometimes it seems like a farce or an overly theatrical costume drama. Sometimes, I even feel a sense of theater. It's an interesting retro film, but definitely not aiming for an Oscar. (10/02/2005)

After the not-so-favorably received (but brilliant in my opinion) Gangs of New York, director Martin Scorsese has ventured into slightly more recent history. He tells the story of an extraordinary person in an extraordinary style. A man who can be perceived as either a genius or a madman. You have to choose whether you will admire Howard Hughes for pushing the boundaries of technological and human capabilities or despise him for his obsessively guarded cleanliness or instability in relationships. Martin Scorsese gives you both sides of the story in a unique trip back to the early 1930s and late 1940s. The atmosphere of parties, bars, women, cigarettes, and unique music breathed so strongly on me that it tousled my hair. And in this environment, Leonardo DiCaprio moves with his characteristic elegance. The acting challenge was truly formidable. DiCaprio picked up the thrown gauntlet and, with a performance more than dignified, proved to everyone that he truly knows how to act. The entire film is full of one famous name after another. While I'm not particularly a fan of Cate Blanchett, neither physically nor as an actress, I must reluctantly praise her. Alan Alda as Hughes' main antagonist is absolutely superb. A lot of people fault the film for the story going nowhere at times. I strongly disagree. I attentively watched the entire three hours to see what was happening. Visually, the film is perfect. Some scenes are indelibly etched in my memory. For example, the filming of Hell's Angels or the plane crash between houses in Beverly Hills. Robert Richardson's brilliant cinematography adds the final touch to everything. Not only the period music but also Howard Shore's orchestration perfectly contributed to creating the (already perfect) atmosphere. Everything I've listed here should be enough to give The Aviator four stars, but the film has something that makes me want to give it no less than five. It has soul. The soul that allowed it to live and tell. Thank you, Master. (12/02/2005)

The pilot is not bad at all, but after two screenings in one year, I can't imagine trying to go through it all again even fifteen years later. DiCaprio is great, but surprisingly, Scorsese can't maintain a good momentum, he gets lost in Hughes' psychoses, and the story that goes to flowers is only fixed in the thrilling courtroom finale. (15/09/2005)

Paradoxically, the most interesting stages of Hughes’ life are merely mentioned in passing or completely ignored, while there is also a lot of needless filler (albeit excellently filmed). The actors are excellent, Scorsese’s still got it - it’s just that the screenplay isn’t one of the best ever written. Which is really a great shame and it knocks The Aviator out of the sky before it has the chance to take off. (06/11/2005)