Ready or Not

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Ready Or Not follows a young bride (Samara Weaving) as she joins her new husband's (Mark O'Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their survival. (20th Century Fox Home Entertainment)

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Trailer 1

Reviews (12)

J*A*S*M 

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English A thoroughbred lightweight horror comedy, the kind of which we hadn’t had in a long time. The creators made up for the not entirely successful Devil’s Due and followed up on their segment in the first V/H/S anthology, where they first got on the radar a few years back. Ready or Not is a delightful joke that playfully makes use of its rather silly premise (which is perfectly suitable for a film that doesn’t take itself too seriously), a panopticon of crazy rich people and an extremely likeable heroine played by Samara Weaving. The result is a fast ride that is hard to resist. Personally, I wish it was a little bit wilder, sharper and nimbler (it is not as bloody as some mainstream commenters will try to tell you). But all those quibbles can be forgotten the moment the heroine gets going and starts adorably fucking everything up. I enjoyed it very much. ()

MrHlad 

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English Grace has just got married and she realises it wasn't a good idea. Her new in-laws want to play hide-and-seek with her. If they don't find her by morning, she wins. If they find her, she'll probably die in a cruel ritual. It'll be fun. Ready or Not is a blackly humorous horror film that alternates fairly brutal scenes with a lot of gritty humour, but also some solidly suspenseful moments. It has a great main character, and the only problem in the end is that they didn't step it up a notch. As a whole, though, it's pretty good. ()

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lamps 

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English Since I’m not rich yet, I’ve no problem sympathising with this peculiar fairytale. An entertainingly lively spin on the concept of the human hunt that turns into a morbid carnage in the popular setting of a big baroque mansion. Although it grinds at times with the cheap way it delays the climax and the helplessness of the hunters associated to it, the viewer can always cling to the brilliant, badass main character (Samara Weaving was really born for roles like this), and in the ending rely on an unpredictable wave of foreshadowing, thanks to which the film can be taken as perverted and openly trashy fun in A-movie clothes. I’d love to see more brainwashers like this in the cinema, and all of them could be with Samara. 75% ()

Necrotongue 

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English I actually feel sorry for the film. The reviews here are not exactly favorable, but I won’t be as strict. I'd be lying if I said I wasn't having fun. Granted, it was incredibly silly, and it would be considered a horror film only by someone who gets scared by fairy tales. It worked great as a black comedy, though. I’ve never been horrified by the sight of blood and guts, so I appreciated the funny moments in Clara, Tina and Dora’s best scenes, I also enjoyed Grace’s (fuck!)monologues, and the finale sure beats any film featuring a minefield. If you share my twisted sense of humor, go for it. ()

Malarkey 

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English A decent, inventive slasher, which turns an ordinary family dinner into something you won’t forget easily. Moreover with the lead role of the bride played by the fair Samara Weaving, who has witchcraft, fear and mysteriousness already in her name. Even though nothing that happens in the film is actually her fault. ()

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