Doctor Strange in the Multiverse of Madness

Somewhere in the multiverse, there's a better movie version of Doctor Strange. Marvel is fading and you can feel it. Spiderman was still a cool coda for the Avengers), but Black Widow and The Eternals are just mediocre concoctions in my opinion, and so far it doesn't look like it's going to get better in the future. In contrast hand DC with Suicide Squad 2 and The Batman are on a better path. Personally I wasn't too happy with the first Doctor Strange either and was hoping the second would grab me more due to the horror feel and multiverse madness. It's a hair better, but as a whole still not entirely satisfying. The performances are fine, Benedict Cumberbatch does his thing, Elizabeth Olsen is probably the best thing about the film, and the new character of America Chavez unfortunately didn't impress me much. Visually the film is without a doubt solid (although some of the CGI craziness was a bit not- so eye candy for me), the action again is not much but it is shot decently (the duel with the music was very original and imaginative, the Illuminati, the opening fight with the demon and the jump through different worlds was visually great). The humor is completely absent and the cameos seemed a bit unnecessary. In a few scenes you could even tell that Sam Raimi was directing the film (references to Evil Dead, the demon scene, a couple of jump-scares and one badass action sequence). Story-wise, the film doesn't have much to surprise, it lacks proper fatality and the MCU is not really moving anywhere unfortunately. Personally, I was hoping for more insanity in the multiverse, it's surprisingly not used that often and when it is it only gets interesting towards the end. I have nothing downright bad against the film, I enjoyed it, it goes by quickly, but I have no desire to watch it again. The trailer for Avatar 2, however, is amazing Story 3/5. Action 4/5, Humor 1/5, Violence 2/5, Fun 4/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 3/5, Emotion 2/5, Actors 4/5. 6/10. (05/05/2022)

Of all the Marvel superheroes, Doctor Strange has the most potential for visually wild and appealing films. Filmmakers can get awfully crazy, and especially now that Strange is supposed to travel to other worlds and universes and where everything was once again based on magic, so the boundaries of normalcy were pushed a lot further than, say, in Black Widow. In that respect, there's nothing to fault in the Multiverse of Madness. Sam Raimi enjoyed his return to blockbusters and, unexpectedly, Kevin Feige allowed him to be his typical self. There are a few horror and scary moments, references to the visual style of the first Spider-Man and even Evil Dead, and it's nice to watch. The trouble is that there's not much interesting stuff going on. The story this time around is fairly banal, the characters uninteresting, and the whole time I felt like there was a missing minute here or there where it could slow down and go a bit more in-depth. I didn't get the sense that the universe was at stake or that Strange himself had to undergo some major transformation. It's simply a nice attraction, but it wraps up a not very interesting plot. It should have been better. (04/05/2022)

Definitely one of the most distinctive and auteur-driven films in the MCU. The central motif is slightly sixth-rate (as in, I'm just a caring mother and I care about my kids), but Elizabeth Olsen manages to pull it off remarkably well as an actor. Sam Raimi recycles himself here (the kitchen scene is very much a copy of Drag Me to Hell), but still manages to imbue the second Strange with at least some semblance of personality. The script is weaker and not very bold, but the whole thing somehow goes well and there are some (un)expected cameos and the introductions of the old (un)familiar. I was expecting more, but all things considered it was still great.[75%] (09/05/2022)

A playful, but rather oversimplified sequel to the story about an arrogant surgeon who turned his hand to magic takes us to other worlds, but also into his subversive inner self. During the opening of the movie, Raimi came up with a surprise parallel on the west Russian conflict, and also with an ending involving a demonic resurrection and all-in-all inconsistent storytelling. The second Strange would have benefitted from about a half hour extra to give Raimi the chance to give the multiverse a good long cuddle and also give the sub-stories the chance to take off a bit. I don’t believe that Waldron’s screenplay was to blame; this is more like studio intervention to bring the running time down to a more sensible length. The guest appearances are fine as a whole, but I’m not at all thrilled about one choice by casting department, so that means minus one point. The horror make-up is awesome (eyeballs dropping out of sockets!), but rotting cadavers, impressive deaths and pieces of body dropping off indicate that Disney is willing to turn a blind eye occasionally and please orthodox fans with a bit of gore. But will it be enough? Are you happy? (04/05/2022)

I found myself in a multiverse of madness as I watched Sam Raimi struggle to project his distinctive style, directorial and cinematographic flourishes, and slightly horrific and morbid touch on the big screen. At that point, it all disappeared into the abyss of screenwriting cluelessness and a largely meaningless and uninteresting story. Once again, Marvel is just playing it safe, with nothing to surprise the viewer. It has its tried-and-tested gimmicks in the form of a dozen useless cameo roles that deadlock the plot just to tease further spin-offs, which are already a total slap in the face. Plus, this year's Everything Everywhere All at Once definitely kicked this overpriced corporate product's ass when it comes to playing with multiverse. Sam, I hope you cashed a decent check for this, and now please go and make a low-budget horror movie that makes you and the audience happy. Please. (03/06/2022)