The Evil Dead

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Writer/Director Sam Raimi's relentless, gore-spattered debut is a landmark in horror cinema, a no-holds-barred onslaught of gruesome terror and nightmarish effects which has earned its rightful status as a legendary cult classic. Five college students travel to a remote cabin in the woods and unwittingly unleash a monstrous evil force hellbent on their total destruction. The Evil Dead is truly the ultimate experience in grueling horror. (Sony Pictures Home Entertainment)

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NinadeL 

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English The cult value, of course, prevails. If it hadn't become such a theme, there would be no reason to revisit this slasher, but history would have it otherwise. Today, however, the first film is like a bit of Deja vu, a strange sense of Ash having two hands, of not making fun of the Necronomicon yet, because this is the actual first encounter with evil. And, of course, Bruce is still a young innocent man here. It's interesting, but other parts of the Evil Dead phenomenon have more charm for me. ()

gudaulin 

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English When I saw this legend of B-movie horror films in 1990 for the first time, to this day a functional genre cult, I was perplexed. Now that I have repeated this experience, my doubts are still there. I consider Evil Dead to be an amateur film that fails fatefully in all the aspects that are important to me. Terrible acting performances, a nonexistent script, cheapness, the idiocy of the film characters - should I continue? Even that one star I'm giving it is not for any merits because the film is bad and is taken seriously to the extent that it is somewhat amusing in its twisted way. Nevertheless, Sam Raimi showed here (at least in his camera work) that he has filmmaking in his blood, and when he adds enough perspective (which he already demonstrated in the sequel of the same title) and gains some experience, he can shoot in a grand style. Overall impression: 10%. ()

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lamps 

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English To etch such an innovative notch in the annals of horror at 21 requires quite a lot of filmmaking talent, and Raimi here proves with every minute that he has more than plenty of it. The perspective shots and the visual tricks with the foggy environment in the first half generate an atmosphere that is thick as oatmeal (and also delivers rape-by-tree and the book of the death), while the great make-up and an endless dose of inventive camera movements in the second half hold the entertainment value at the highest level, even though the script is stuck in one place. The watering of the light-bulbs and the window projecting blood are immortal moments with deserved cult status. A simple premise exploited to the fullest with a very unorthodox and delicate climax – modern ghost stories can’t hold a candle to this. 80% ()

J*A*S*M 

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English I get why this film has cult status, but for me it’s not worthy of a full score. The first half was great, but the second has several dull moments, the plot gets stuck somewhere and all I could do was wait for an ending that was clear. The final disintegration of the demons didn’t have any atmosphere due to the not very good special effects. It needs a remake, those special effects today don’t work as they should. ()

D.Moore 

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English On the one hand, it is perhaps too frantic and prolonged by several unnecessarily long scenes of destroying "friends", yet on the other hand, it is definitely imaginative, playful, solidly suspenseful atmospheric fun. I saw Evil Dead for the first time today, so I really can't go on and on about nostalgia, VHS tapes and whatnot. But even so, the film has a kind of special charm that is hard to describe. I'm curious about the sequel. ()

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