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Jacques (Jean-Marc Barr) and his friendly rival Enzo (Jean Reno) are considered masters of free-diving and have made a career out of this one-of-a-kind competition. Jacques feels an unusual bond with the sea and Enzo is in it for the sheer danger involved. A new dimension of their lifelong rivalry is generated by the beautiful Johana (Rosanna Arquette) who leaves her career in New York to accompany the two men on the international diving circuit. Beautiful underwater cinematography and a stunning score enrich Besson's celebrated English-language debut. (StudioCanal UK)

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Reviews (10)

Kaka 

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English It lacks a proper visual concept. Occasionally, it looks like a cheap made-for-TV production rather than a work of the famous Luc Besson. A few nice deep shots, several scenes with dolphins, and that's about all that’s worth mentioning. Only Eric Serra didn't disappoint, he gain composed perfect music that can easily rival his greatest works (La Femme Nikita, Leon). ()

Othello 

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English I like movies that look like their storyboards, I like Cinéma du look, I like the sea and Jean Reno. By contrast, however, I find sports in general to be eminently moronic performances, and watching overgrown kids measure their depths then makes it impossible to accept this great, fatal, fateful plane rising above the rules of civilization. ()

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gudaulin 

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English For two years, The Big Blue has been taking up space on my hard drive without any use and all this time I didn't have the desire or courage to watch it, anticipating that I would significantly dislike this effort from Luc Besson. The time when it had something to offer me is long gone, very long gone. I was not mistaken and when I think about it, I get the impression that my 2 stars are quite a decent expression of my conformity with 84% satisfaction on FilmBooster and enthusiastic comments from many users. What Besson offers me, i.e., music and underwater shots, can be offered to me in a more attractive package by any nature documentary. I don't like its Hollywood sloppiness, it is empty in content and besides, I increasingly mind films that pretend to have greater depth and profound messages where all I see is more posing. Overall impression: 40%. ()

POMO 

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English The Big Blue is a beautiful film in terms of its depth of thought and the poetics of its story. I’m willing to forgive it for its wild mixing of drama and comedy; after all, it’s French. What I can’t forgive, however, is the stark visual concept, which takes it off the movie screen and puts it on a television screen. I expect visual appeal from the creator of The ProfessionalLa Femme Nikita and Atlantis. ()

lamps 

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English Great idea. Very interesting execution. What about the result? It’s very hard to express, I had a hard time even with the rating in this case. Besson has a very distinctive style, he can turn an intimate human story into a gripping and compelling spectacle, as he did in Leon or La Femme Nikita. But this one is a completely different film and it will depend a lot on the nature and the tolerance of the viewer. Everyone will probably react differently to a story about the rivalry between two old friends, which is kept at a very slow pace throughout, lacks any special effects and plays on emotions. But Besson put his whole filmmaking heart into it, and that had an impact on the result, with an unforgettable ending that is a beautiful signature over this small but at the same time huge film. ()

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