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Jacques (Jean-Marc Barr) and his friendly rival Enzo (Jean Reno) are considered masters of free-diving and have made a career out of this one-of-a-kind competition. Jacques feels an unusual bond with the sea and Enzo is in it for the sheer danger involved. A new dimension of their lifelong rivalry is generated by the beautiful Johana (Rosanna Arquette) who leaves her career in New York to accompany the two men on the international diving circuit. Beautiful underwater cinematography and a stunning score enrich Besson's celebrated English-language debut. (StudioCanal UK)

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Reviews (10)

NinadeL 

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English It's interesting to follow the journey of a filmmaker who was considered a phenomenon in the 1980s and nowadays no one is too sure whether the trust placed in him was a disappointment or just exaggerated expectations. Be that as it may, it's now a piece of history and the French touch of Besson is not nearly as engaging as it once was. However, in hindsight, it's quite interesting to watch then-star Rosanna Arquette in a very natural role (remember those sassy, unattractive girls of hers?), Jean-Marc Barr (who I otherwise only see in von Trier projects), and Reno, who I never know what to think of (are those poses of his still cool today)? ()

kaylin 

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English I was a bit surprised by how long the film is, and I almost feel that if it were shortened by an hour, the viewer wouldn't actually miss out on anything significant, although this way viewers managed to connect with the characters and understand what happened at the end and what it meant for the main character. But it is the finale that shows the beauty of the love of life and dreams, even though it may appear otherwise. ()

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Kaka 

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English It lacks a proper visual concept. Occasionally, it looks like a cheap made-for-TV production rather than a work of the famous Luc Besson. A few nice deep shots, several scenes with dolphins, and that's about all that’s worth mentioning. Only Eric Serra didn't disappoint, he gain composed perfect music that can easily rival his greatest works (La Femme Nikita, Leon). ()

Lima 

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English This avid diver and amateur oceanologist made himself and me happy. His film revels in the sun, in various shades of blue, and makes you want to put on a swimsuit and jump into the sea. And even though the plot itself is not very optimistic, it breathes comfort and Besson's love for the sea. And Eric Serra? He’s superb here! He applied his penchant for synthetic sounds, which he transformed into ambient surfaces that are beautiful to listen to. I own the soundtrack, it's a very relaxing album, totally different from his sound cacophony in The Fifth Element. ()

POMO 

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English The Big Blue is a beautiful film in terms of its depth of thought and the poetics of its story. I’m willing to forgive it for its wild mixing of drama and comedy; after all, it’s French. What I can’t forgive, however, is the stark visual concept, which takes it off the movie screen and puts it on a television screen. I expect visual appeal from the creator of The ProfessionalLa Femme Nikita and Atlantis. ()

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