Leon

  • USA Léon: The Professional (more)
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The controversial and unforgettable story of an unlikely friendship within a brutal and violent world. Twelve-year-old Mathilda lives within the desperate confines of a squalid New York apartment block. On returning from a shopping trip Mathilda finds that her abusive, dysfunctional family (and her beloved younger brother) have been slaughtered by a psychotic, drug dealing police officer. In fear of her life she takes refuge with her reluctant, mysterious and solitary neighbour. His name his Leon and he's one of the world's deadliest assassins. And while Mathilda begins to teach him how to live, Leon begins to teach her how to kill. (StudioCanal UK)

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Reviews (10)

Stanislaus 

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English I'm not a big fan of action movies, but Leon offers something much different and deeper besides shooting, blood and killing. Alongside the hunt for the bad guys, we get a glimpse of the strange but incredibly strong relationship between a young intellectual girl and a cold-blooded killer. And both of their lives will change completely from the ground up when they meet and start living together. This film excels especially in terms of acting. Jean Reno is simply a likable man with charisma to spare, who can play a ruthless "cleaner" as well as a caring "parent". Natalie Portman was already very talented at the time and her acting can be compared to child stars such as Haley Joel Osment or Abigail Breslin. Gary Oldman has always been good villain roles and this is no exception. In short, a wonderful cinematic gem from France that offers some pretty thrilling action scenes alongside the actors and a strong story. ()

Necrotongue 

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English Luc Besson used to write great scripts and turn them into fantastic movies. This was not just an ordinary action thriller but also an exciting drama about a somewhat autistic professional assassin and his prepubescent almost-apprentice. I enjoyed it again, just like I did almost thirty years ago. It was, hands down, Natalie Portman's best role and one of Jean Reno's best roles. Jean Reno was great in the roles of disturbed assassins, just like Gary Oldman was with his psychopaths. Maybe they suited them too much because they both got typecast in them. True, the story wasn't exactly a brain exercise, but without torture, I admit that I didn't care at all because I really enjoyed the central, strongly mismatched duo. There was definitely a certain nostalgia involved. / Lesson learned: Take extra care of your best friend. ()

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Remedy 

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English Besson's The Professional is one of those nonchalant films that very cleverly and imaginatively combines the "old school" with new techniques and together manage to create a fabulous work that, in addition to brilliant filmmaking, abounds with "that something extra" – an inner feeling, flair, or simply strong emotional "capital" that I can't explain or define exactly, but I can recognize very clearly when watching it:) I love the fact that even when Besson uses genre elements (clichés?) from other masters (Tarantino, Scorsese, De Palma, Coppola), he manages to combine them just as masterfully, and where the genre cliché begins and ends, he calmly creates a field of his own overlap and stuns with his creativity. An uncommonly well made and sensitive film. One of the best I’ve ever seen. ()

3DD!3 

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English Leon is one of those movies that is, as they say, “almost perfect". Besson beautifully dissects the relationship between “cleaner" Leon and a young girl, Mathilda, who got caught up in his simple live. He is supported by excellent acting performances from Jean Reno, the awfully cute Natalie Portman and a disgustingly nasty villain, Gary Oldman. An entertaining and sad story about revenge, about life, and about death. ()

Lima 

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English The delicately portrayed yet wonderfully performed relationship between Reno and Portman is flawless. Besson stayed true to himself in his first Hollywood film and Leon retained his French esprit. Gary Oldman's performance as a psychopathic thug and lover of classical music is unforgettable. Eric Serra also outdid himself and created a lovely soundtrack (he forgot about it again in The Fifth Element). ()

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