Hannibal

Dr. Lecter returns in a bloodthirsty style, but satisfaction is not present this time. The worst possible start is all the actions of Clarice, who with her tired face, forced me to fall asleep with every line about "shooting at a woman with a child." Thanks to the perfect Hannibal and surprisingly skillful Liotta, the seemingly unnecessary movie eventually becomes a sufficiently thrilling thriller, but the lengthy silent parts condemn it to be labeled as a violently stitched sequel. (19/03/2006)

"What do you think? Does Lecter want to kill her, eat her, fuck her, or what?" - "Probably all of the above. It depends on the order." This is the sequel to The Silence of the Lambs, and it did not reach the high standard of its predecessor, but it does still have something to offer. Hannibal earned my attention with Scott's impressive narrative direction, the gorgeous Florence scenes, the unforgettable "nastiness"... Well, why not? "So what's it going to be - guts in or out?" (18/06/2010)

Ridley Scott simply missed the mark. Jonathan Demme showed us that it's not just about the great character of Lecter, but also about how the film is approached as a whole. It's not enough to just take relatively depraved scenes and add them to a sterile story. The only thing you will remember is those disgusting scenes. This is not very good. It's a shame. At least I remember much more from "The Silence of the Lambs." This is how a cult becomes an ordinary film. But even "Red Dragon" showed that having Lecter in the background is not enough, it simply needs something more. (13/11/2013)

Oh, man, this somehow went off the rails. Hannibal is far from a bad movie, but hand on heart, what would it all be worth without the evil Anthony Hopkins, who this time stole the show for himself and let others just clean up what he did? It doesn't make much sense either way, but at least it's appealing enough, beautifully atmospheric thanks to Scott's direction and Zimmer's music, and ultimately, of course, irritatingly debatable enough to give clever critics and fans of the first instalment plenty to talk about for a long time. And I can’t say I was disappointed. The absence of Jodie Foster was very hard to swallow and the script is not even close to the first one, but as a great admirer of Sir Anthony's acting I just couldn't get bored even for a moment. And Gary Oldman? You just have to see it. 65% (04/03/2013)

As a standalone film, Hannibal (thanks mainly to Scott's imaginative direction) would certainly stand up better than as a sequel to Silence of the Lambs. I think what I missed most were the prison conversations with Lecter and Starling, which I really enjoyed in the first one. Hannibal is a much more action-packed, but also much less suspenseful sequel than its predecessor. The first had an excellent script and a mediocre director, the second has a below-average script and an excellent director – but the original wins hands down, despite the undeniable acting (yes, Hopkins is still just as demonically perfect) and directing quality (gorgeous shots of Florence and a great opening action scene). Julianne Moore was okay, but Jodie Foster delved much deeper and more impressively into her character. (08/06/2010)