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You've all seen the trick in which the magician saws his glamorous assistant in half but what about the spike through the brain gag? Or the good old smashing punch-press? Montag the Magnificent's blood-curdling onstage performances shock and dazzle his audiences in equal measure. But when his participants start winding up dead, local TV talk show hostess Sherry Carson suspects his gruesome act may be more sinister than it first seems. Featuring some of the most notorious gory set-pieces in all of director H.G. Lewis blood-soaked career, The Wizard of Gore is a stomach-churning, Grand Guignol production that's less sleight of hand and more slice of hand! (Arrow Films)

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Lima 

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English Legendary blood feast by gore maniac H.G. Lewise. My friend and I summed it up clearly with a smile: "You couldn't ask for a bigger piece of shit", but in any case this is an unforgettable film that you can tell your friends about. Leaving aside the gore effects, the film missed its cinematic language by about half a century – the theatrical performance of the lead actor, an incredibly static camera that doesn't move, doesn't zoom in or out, very minimal editing, and everything underscored by the monotonous sound of a trumpet, which fortunately isn't very audible, so it doesn't get on the nerves so much. And, of course, above all looms the brutal tropes of the wizard Montag, who seems to be following the classic Dario Argento's motto that "Death is best suited to beautiful women": hypnotized blondes experience a chainsaw slash, a massive iron spike in the head, a cutting pipe in the stomach, swords shoved into their mouths, and lots and lots of red paint and ketchup all around. As a study material, or a sort of "walk" through obscure film worlds, it is passable, but I am very reluctant to call it a horror classic (in the words of one of the characters in Reitman's Oscar-winning Juno). ()

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