X-Men

So to be clear, X-Men is a pretty normal Hollywood slop, kept afloat only by some interesting special effects (although the ratio of interesting to terrible is about 1:1) and some good fights. What's left is a bland and flavorless product that typically depicts the ideals of a "factory for dreams". But not mine. (29/06/2006)

Another comic book adaptation, this time directed by Bryan Singer. The action, effects, music, sound, and acting are all on a very decent level, yet something was a little lacking for it to make 5 stars. Otherwise, I "looked down" on this title for a long time, until I finally got the original.) I'm really looking forward to the second and third ones. (29/03/2009)

As a pilot for a series (which this film has actually become in hindsight), it's great and flawless. A lot of iconic characters gradually appear on the scene, each of whom gets their due space, and Singer portrays the entire mutant community well by having the best comic book character in history being led by the hand by the other players constantly explaining everything to him. The script is smart and draws out not only the inevitable issue of mutants coexisting with ordinary humans, but above all a convincing and logically motivated villain, Magneto, whose potential far exceeds a single feature film. Maybe it's just a pity that the film goes by so insanely fast that it doesn't even manage to leave a hickey on our experiential threads, and instead of some stylish eye candy action we remember exclusively the awesome Wolverine claw-fucking his colleagues and the attractive Halle Berry, to whom the word mutant fits about as well as a sleeping pill to a corpse. Definitely a revolutionary achievement, which can be watched over and over again and whose success was the start of a great sensation. (04/03/2017)

Is it six years already? I just can’t bring myself to believe that it’s that long ago that I first sat down in front of HBO and let myself be sucked into the world of mutants. Singer captures the viewer at the very beginning with a flashback to Poland in 1944 where we see a little boy trying to get back to his parents in the Jewish ghetto. An entrancing experience. The gradual meetings with other mutants and getting to know them better demonstrates Singer’s huge talent. The characters are written superbly and the viewer really worries about what happens to them. In terms of the acting, X-Men can’t be faulted. Hugh Jackson appeared as a flash out of nowhere and his Wolverine was perfected acted. The chillingly magnetic Ian McKellen surprisingly assumed the role of the one with the most wisecracks in the movie and Famke Janssen seems more beautiful here than she’s ever been (I fully understand Wolverine ;). Before I gave this a 4, but after careful consideration I changed it. Such sophisticated psychology deserves the highest score. (17/12/2006)

I can't help it, but I have been fruitlessly searching for what fascinated me about the movie in the past. There are moments here that are completely out of logic and don't even work in the comic book world. I understand that this is a groundbreaking film in terms of reviving interest in comic book adaptations, but it is lacking a more developed plot. It is only saved by the great characters, which were already created by comic book authors. (27/03/2014)