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Back from the brink of death, highly skilled commando Tyler Rake takes on another dangerous mission: saving the imprisoned family of a ruthless gangster. (Netflix)

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Baru.Class 

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English For how much of a crap the first movie was (despite my painful efforts, I couldn't manage to finish watching it, I admit), the sequel was actually a very pleasant surprise! Chris rediscovered at least a tiny bit of his acting talent, the story was, well, okay, and the locations were perfect (an old Georgian prison will always work). The action was comparable, if not better, than in the latest John Wick movie (yeah, I know, I'm going to hell for saying that). Surely, there are moments when the main character survives the unsurvivable, like repeatedly taking cover behind a ladder during a shootout with a helicopter (yes, a HELICOPTER, and yes, behind a ladder), which will probably become a slightly cultish cliché forever. However, prioritizing action over all those empathetic BS, as it's become a good habit these days, proved to be the right choice for an action film, resulting in an incredibly enjoyable spectacle. ()

Lima 

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English In a short span he suffers a gash in the arm, a screwdriver stuck in the side, here and there some shrapnel under the skin or a knife stab, multiple falls from various heights, fatalities by heavy blows to the arms and legs, and he just shakes it off and moves on. Silly me, I’ve always though the human body is made of bones, flesh and tissues, like they taught us in biology, my mistake, probably. Even Rambo suffered and blew on his wounds back in the day. Nowadays it’s different, heroes have adamantium bones like Wolverine. And here I was thinking that nothing could top stopping bullets with a jacket like in Wick, but now there's some serious competition. All right. Otherwise, nothing against Hemsworth, he's a charismatic guy and he's found himself in what he does; I wish him well, but modern action flicks are just not for me anymore. ()

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3DD!3 

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English The Count arises from the death in a sequel drowning in the foolishness of one young Georgian. Hemsworth and Hargrave have put their hearts in Extraction 2 and you can see it. The 20-minute single-shot jailbreak scene goes a hair further than the passage through Dhaka in the previous film. One thing that disappointed me is how dark things are, there are parts where you can’t see anything. The tough one-liners and the bloody final confrontation in the church are a real treat. The visual effects are average, but it doesn’t matter. Surprisingly fine, however, is the glue in the form of memories of the hero's past and trauma. ()

novoten 

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English It makes me proud that the pumped-up and visually irresistible action scene from the prison was filmed right here in the Czech Republic. The stunts, camera, and other related work are top-notch, making Extraction 2 one of the biggest events outside of traditional cinema distribution. How much more shocking it is, then, that the plot, which only serves as a necessary complement to the first installment, stretches clichés that I thought had been abandoned in the 1990s, and the events on the Georgian side of the barricade suddenly become an unwanted parody. ()

DaViD´82 

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English Amazing “single-take” scenes, solid stunt choreography (pity about the blatant CGI in the explosions, crashes, etc., though), without any bollocks, dialogue outbursts or wisecracks during the action; it just rolls along at an exciting pace. And with sheer action filling well over half the running time, there is undeniably much to be genuinely excited about. But... It trips over its own feet with the opening and the ending. The first action set-piece happens in the 20th minute, and all that mandatory “let’s pretend we have a story and characters” filler would be sorted out in five minutes in a timeless action flick. Also, the climax has the problem that the final showdown (itself solid) is significantly overshadowed by all the previous action passages. ()

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