I, Robot

A very solid film with flawless special effects that I believe will not become a sci-fi classic like, for instance, Blade Runner. It lacks a deeper dimension of thought for that, its ambition is only to entertain, nothing more. Which, of course, is no small feat, and it delivers without problem. The futuristic vision was very impressive, some of it really amused me, because the horizon of 30 years is not that far away, the creators really let their imagination run wild in places. Will Smith with his swagger is an advert for testosterone, some of the action sequences were outstanding (especially Smith's duel with the robots in the tunnel) and the whole thing ran like a Swiss watch without a hitch. Cool. (05/09/2004)

At first, I took a long time to get used to the unusual form, but the second projection confirmed a visually refined spectacle and a thought-provoking story. Proyas rocks again, Smith is in top form like never before, and Sonny is the best partner I can imagine. Over the years, Robot has also become almost a classic because there are not many action movies combined with a clever thriller side. (21/11/2005)

An effective and self-aware hit with a light philosophical undertone. In other words, one of the few smart, eye-candy popcorn movies of the new millennium. That has to be appreciated, whether the topic is your cup of tea or not. Still, it is a class lower than Minority Report. (26/12/2004)

I saw the movie as a hot novelty in the cinema in 2004 and I was absolutely thrilled by it. As a sci-fi enthusiast, I have to constantly stand by the fact that the movie has an idea and by using Asimov's laws, it only points out the classic problem associated with robots. How far can we go with artificial intelligence before it turns against us? Well, the ending is a bit shaky, but otherwise, this is an excellent action ride with a good detective plot, and considering the movie is already 10 years old, it has great special effects sequences. (20/12/2013)

I, Robot is a spectacular, technically flawless action flick for mainstream popcorn fans, but even more discerning viewers will enjoy it. But any talk of highly intelligent entertainment in the mold of Minority Report is out of line. The film’s screenplay is simple and unsophisticated, with banal dialogue and a sizable portion of clichés. The screenplay is brought up to the level of high-quality entertainment only by director Alex Proyas, thanks to whom the result is dynamic enough not to be boring, and paranoid and disturbing enough to be enthralling. (14/09/2004)