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Adventure sequel set after the events of Superman II. After eliminating General Zod and the other Kryptonian arch-villains, Ursa and Non, Superman (Brandon Routh) leaves Earth to search for his former home planet, Krypton. When he arrives he finds nothing but remnants and returns to Earth. Upon his return, he finds a Metropolis that doesn't need him anymore. Lois Lane (Kate Bosworth) is engaged to a relative of his boss (James Marsden), and to make matters worse, his arch-nemesis Lex Luthor (Kevin Spacey) has contrived a plot to build a continent using the crystals of Krypton that will wipe out most of North America. Superman must again race against time to stop the psychopathic Luthor before it's too late. (Warner Bros. Home Entertainment)

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Reviews (10)

POMO 

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English A comic-book romance at a cost of 260 million dollars? In relation to today’s Spider-Man and X-Men movies, shifting focus from dynamics and action to a love motif is a very bold move in a 150-minute film. Superman Returns doesn’t conceal the fact that it’s a different kind of comic-book movie, but viewers longing for an exciting adventure won’t care about that. Brandon Routh is cool, but the cloying Kevin Spacey comes across as a caricature in his fascist jackboots and thus doesn’t inspire respect. I wasn’t bored by this film, but I would have liked more excitement. ()

kaylin 

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English Brandon Routh is not Christopher Reeve, but no one is. As Clark Kent and as Superman, he is tolerable, the problem rather arises with Lois Lane. For me, Margot Kidder will probably always be the best Lois Lane we could see on the screens. In the case of the movie "Superman Returns," the creators tried to give her some emotional depth, make Lois and Clark's relationship a bit more complicated, but all of this only contributes to the fact that this film feels incredibly small, intimate, and at times also boring. Yes, it is an attempt to make a comic book different, less colorful, exaggerated, and cluttered, but it's been somewhat forgotten that this was not supposed to be showcasing a relic, but it was supposed to be something that would excite, impress, captivate, and above all, entertain the audience. "Superman Returns" does not entertain nor impress, it just takes nearly two and a half hours of your time. More: http://www.comics-blog.cz/2013/08/242-superman-se-vraci-2006-50.html ()

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novoten 

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English At the moment when the accident of the trains took place on the screen, I definitively forgave Singer for the great heartache in the form of escaping from my beloved party of mutants. In front of me, an authentic comic drama with elaborate psychology began to unfold slowly but surely, also seamlessly intertwined with two classic first parts. I would really like to have a continuation in this spirit because Routh is a true hero as Kal-El and Kevin Spacey is a perfect bald menace. Moreover, the whole spirit of the film is characterized by the fact that Superman returns only as a prologue to potential sequels. However, as much as Singer played this part brilliantly, the audience does not hear it, and therefore neither do the producers. And that's why this nostalgic (although quite selfish towards new viewers) way of continuing the legend remained just a blind but subjectively perfect alleyway. ()

Remedy 

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English Bryan Singer, like Christopher Nolan, has done honorably at breathing new life into his comic book hero, but his Superman Returns is a long way from Nolan's Batman Begins or The Dark Knight. It's hard to say whether it's the fault of the director (which I doubt) or the studio that despite such an ungodly fat budget, the result is basically a slightly above average flick. I wasn't disappointed, but my expectations were not exceeded (as they were with the Batman films). Still, I remain optimistic and look forward to The Man of Steel. Something tells me that this time Singer will step it up and film it to perfection, we'll see. For "Superman’s return" it's rather an incomplete 4 stars. ()

Kaka 

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English Surprisingly moderate and quite monotonous for Bryan Singer’s standards, without any significant deviations in both style and plot. However, one cannot deny its clearly visible openness and honesty, which impresses the viewer from the very first minute. The action sequences are almost perfectly filmed – the scene with the airplane is thrilling – but the colossal budget is difficult to understand. Perhaps the missing element of realism is bothersome, it is not present even in terms of the protagonist’s characteristics, but it also applies to the setting where he appears. The airplane they call a Boeing 777 is actually not that, a 4G speed would tear it apart immediately, whereas here it comfortably continues to fly. This is just a fraction of the gigantic nonsense this film has. But if you are willing to accept that and the shots of the embracing couple against the backdrop of the night city do not cause any problems (rather the opposite), you will thoroughly enjoy this movie. ()

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