Sky Captain and the World of Tomorrow

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In this science fiction adventure set in the 1930s, New York City reporter Polly Perkins (Gwyneth Paltrow) starts to investigate why so many famous scientists are being reported missing. Soon, she gets clues, as strange flying machines and giant robots threaten the city. Luckily, her old flame, aviator Captain Joseph Sullivan (Jude Law) aka Sky Captain, is there to battle the bad guys with the Flying Legion, in his Warhawk P-40. Now Polly must fly away with Sky Captain to Nepal to find a crazy scientist, Dr. Totenkopf (Laurence Olivier), who apparently wants to destroy the world! (Paramount Home Entertainment)

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Reviews (12)

novoten 

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English A lot of blinking, lively dialogues, and one big toy that I can't play with. Jude Law is forever a character actor for me, who has nothing in common with a smiling action hero, and the cold Angelina is pure agony this time. The only significant advantage is that something is constantly moving, breaking, or flying on the screen, but in terms of how much was said about the film during its creation and how the creators boasted about it being a historic milestone, it quickly deservedly fell into oblivion. ()

POMO 

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English Yes, the film has a weak story. But to criticise it for that would be like being upset at the lack of dinosaurs in Schindler’s List. Because Sky Captain is pure fan pleasure whose main asset is what Star Wars has, which is something that 90% of current Hollywood productions lack. Sky Captain is a beautiful tribute to old movies, with pleasant humour, great heroic music and likeable protagonists (Jude Law and Angelina Jolie are excellent; only Gwyneth Paltrow seemed to me to be a bit unsure of what she was supposed to be doing). The sets need no comment; the Tibetan “recreational” valley reminded me of Rivendell from The Lord of the Rings. I was almost moved at moments. The only thing that prevents Sky Captain from being perfect is the lack of a specially adapted black-and-white version. P.S. The film points to an era in which flesh-and-blood actors will be replaced by digital facsimiles in films. ()

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DaViD´82 

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English The stylized visuals are complemented by excellent sound and a great orchestral soundtrack. However, the story lags a long way behind the quality of the technical aspects. Although it is completely obvious that this is intentionally naive as a dime novel, but perhaps they go too far. It’s nice that it was basically made by one person in his garage, but that is no excuse for all of the shortcomings. Another disappointment is Jude Law: he simply isn’t the heroic adventurer type. Conversely, the lately rather back-seated Paltrow seems to really enjoy her role as the journalist. Another plus point is the goading humor between the central duo which, luckily, works, saving a lot. ()

Lima 

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English Although The World of Tomorrow is playful and its patina of old movies is charming, the flimsy and predictable story cannot be hidden by the most compelling visuals. There were moments when I was actually bored. Even so, Conran's film reminded me a bit of some of Karel Zeman's films with its visual innovation and retro mood. I'm definitely curious about Conran's next project. ()

gudaulin 

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English The plot-driven and especially the punchline have fizzled out, nevertheless it is an artistically remarkable film that references famous movies of the past and evokes the atmosphere of classic adventure film and literature. It has a touch of Verne, a touch of Trsouka, and the creators of American sci-fi from the 30s. Overall impression: 65%. ()

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