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Against a dramatic nineteenth-century backdrop of radical Italian Nationalism, Luchino Visconti’s masterful epic, The Leopard, follows the Sicilian Prince of Salina and his family as they adjust to the social turbulence of revolutionary times. Adapted from Tomasi di Lampedusa's esteemed novel of the same name, this is a tragicomic depiction of a class eclipsed by history. Starring Burt Lancaster, Claudia Cardinale and Alain Delon, this gorgeous evocation of an era - beautifully photographed, designed and costumed, with a rousing score by Nino Rota - glitters with superb set pieces, culminating in the climactic 45 minute ballroom section where we can see and feel a society in transition. (British Film Institute (BFI))

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lamps 

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English A very long showcase of beautiful images and actors that speaks volumes about the historical era it covers and abounds in almost poetic dialogues of considerable depth, but that as a whole only left me again with Claudia Cardinale’s eyes. The first two hours were still interesting, and I was curious about the fate of the characters, but Visconti deals mostly with the era and the manners of the aristocrats, without bothering to let the viewer get close to the characters. The ending didn’t interest me and the last hour was so tiring that I don’t think I will ever give it another chance. 70% ()

kaylin 

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English A magnificent and truly beautifully shot film, which has captivating colors that were not so typical for Italian cinematography and yet suited it so well. However, it is not a big drama, it is still a human drama, focused on individual characters and how their destinies change and how they themselves must change. ()

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