Radiograph of a Family

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Iran / Norway / Switzerland, 2020, 82 min

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“Mother married a photo of Father,” says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She’s not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran—he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim. But this family history is also a sort of x-ray, laying bare the conflicts of Iranian society in the run-up to, and aftermath of the Iranian Revolution in 1979. Besides Khosrovani’s commentary, we hear letters being read aloud and recollections of conversations between her parents. At the same time, we see photographs and videos from the family archive. These fragments of intimacy are interspersed with stylized shots of the filmmaker’s parental home, its altering decor and furnishings subtly reflecting each new phase in her parents’ conjugal life—and in Iranian society. (International Documentary Film Festival Amsterdam)

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Azurose 

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English The only daughter of an Iranian mother, Firouzeh Khosrovani, gently tells her parents' story through snippets of dialogue and photos. The brilliantly chosen form, a combination of old photographs and video diaries, illustrative sequences in the house and commentary, gradually and realistically reveals the story and brings all the family members closer together. The story of the separation of two people based on different cultures reveals the disparity between tradition and the modern world, but also the differences between extravagant Europe and conventional Iran in the last century. Radiograph of a Family is an excellent essay film with unusual visuals and a narrative that timelessly reflects the problems in society. Above all, it captivates with its unusual form and sensitive commentary. ()

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