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C.C. Bud Baxter (Jack Lemmon) is a lowly Manhattan office drone with a lucrative sideline in renting out his apartment to adulterous company bosses and their mistresses. When Bud enters into a similar arrangement the firm's personnel director, J.D. Sheldrake (Fred MacMurray), his career prospects begin to look up... and up. But when he discovers that Sheldrake's mistress is Fran Kubelik (Shirley MacLaine), the girl of his dreams, he finds himself forced to choose between his career and the woman he loves. (Arrow Films)

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lamps 

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English An endearing, in many ways timeless film about a hard-pressed apartment that deservedly belongs to the hall of fame. The amazing character of Jack Lemmon, trapped in the snares of his job and head over heels in love with his supervisor's girlfriend, is amazing. Also amazing is Wilder's direction steeped in classic romance, witty, original but not too cloying – whether we are talking about the unique depiction of the American civil service as a stereotypical prison, where bigwigs with a name tag on their door bring their girlfriends to their apartments according to schedule, or the ending of the romantic plot, which, by today's standards, will certainly surprise everyone. However, I'm reluctant to give it a fifth star, after all, I have given this rating to many films (even romantic ones) that I simply enjoyed a lot more. When I become a professional nitpicker one day, the star promotion will surely not miss The Apartment :-) 85% ()

Necrotongue 

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English Drama / Comedy / Romance - I never expect to have fun when I see this combination of genres. Apparently, life still has some surprises up its sleeve for me. I enjoyed the story of a decent, conscientious office worker/love hotel manager. I didn't laugh so hard I cried, but it was an excellent drama that occasionally made me smile. The story was based on a clichéd (but still relevant) relationship between a young woman and an "unhappily" married man, but C.C. Baxter, played by Jack Lemmon, gave this predictable movie a whole other level. I was thrilled to watch every unintentionally cruel sentence uttered by Fran Kubelik tear the heartbroken lover to pieces. He always managed to collect himself, only to be dying in agonizing pain shortly after. Jack Lemmon was perfect, Shirley MacLaine was wonderful and charming, and the movie had much more to offer than it promised, leaving me in a very peculiar mood. I was delighted, hence the five stars. / "Where'll we go? My place or yours?" "Might as well go to mine. Everybody else does." / Lesson learned: Committing suicide in someone else's apartment is extremely inconsiderate. ()

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Malarkey 

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English I’m not surprised by all the Oscar nominations. Because of its age, this film seems a bit old-school, like something from a bygone era, but it has a kind spirit that entertains effortlessly and doesn’t offend anyone in any way, which we are used to from today‘s comedies. It treats a classic, totally overused topic, but it’s conveyed in a cute, fun way. You can feel a bit of the drug-induced cheer of that era’s Hollywood, but it’s all very good-natured and inoffensive. ()

gudaulin 

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English This film is evidence of the outstanding level of comedic production by American studios in the early 60s. It was a great opportunity for Jack Lemmon and Shirley MacLaine. A conversation film that will bring you joy even after several viewings. Overall impression: 90%. ()

Marigold 

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English It’s well made, discreet, charming, and soaked in the nostalgia of black and white times. In addition, the film has the excellent central pairing of Lemmon-MacLaine, between whom things spark even without the red-book outbursts and overly cheap gestures. I don't know why, but I had the feeling that Wilder was making a visionary mockery of contemporary love comedies... ()

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