Necrotongue

There were moments in this episode where I actually felt like something was happening for a change. It was a pleasant distraction from the unnecessarily long dialogues that could easily confuse viewers who haven't read the books. It's quite a paradox; if you haven't read the books, you might find yourself lost in the situation, but if you have, the twists might surprise you (or perhaps disappoint you). What really amused me was the talk of a timed detonation (even figuratively) - I wonder what's coming next. This episode also taught me that elves give birth to perfectly clean and dry babies (well, different species, different customs, I suppose). And, honestly, the way they push the multiracial casting so forcefully is starting to feel a bit ridiculous (or maybe just plain embarrassing...). 3*-

The episode didn't quite hit the mark for me. Once again, I didn't see any significant progress in the story; instead, there was a surplus of pointless talking. It's becoming a bit of a trend with fantasy series. They start off promising, then devolve into endless meetings with various characters, engaging in dialogues about nothing. And of course, just to spice things up, someone gets beaten up every now and then because, hey, the viewers need some action.

Unexpectedly, the plot wasn't as boring compared to the previous two episodes. The only dull moment for me was during the conversation with the deaf-mute dark elf. It was painfully obvious that they ran out of ears at the prop house, so he had to pretend they were cropped. Aside from that hiccup, the episode was quite enjoyable. However, the meeting with Marigold left me in a bit of an unpleasant mood. The troubadour's song in the tavern was as weird as if Morris dancers were doing the twist in Black Adder. It was missing only an electric guitar and keyboards to complete the scene. 3*-

I'm rather underwhelmed by the second season so far, to say the least. There's been a severe lack of meaningful dialogue. Sure, there were discussions, but nothing of substance seemed to happen. It felt like empty chatter, thrown in just to meet the required number of episodes for the series. Now, I don't mind a good, long debate. But it has to be full of intrigue and manipulation, with a clear goal in mind. And I found it to be lacking.

This episode took a sharp turn from the first in that it didn't quite hit the mark for me. The disco at Kaer Morhen felt like a bad joke; it's as if Vesemir decided to throw a village fair in spring. Equally ridiculous was the elven mushroom party in the cabin on chicken legs. Add to that a lot of unnecessary chatter and Geralt's repeated posing with the sword, and it all became quite annoying, to be honest.

If the series stuck to Sapkowski's short stories, it would be on a whole other level. Unfortunately, along with the saga, we've got this intrusion of dark Slavs into the plot, whom I find quite distracting. I'm also struggling to get used to the altered appearances - the ugly Yennefer, the overly pigmented Fringilla Vigo - and the dialogues felt a bit weak at times. However, the majority of the episode focused on the short story part, which I appreciated. So, with a clear conscience, I give this episode four stars.

I was completely misled by the title and genre of the show. I was expecting an entertaining war series. Instead, I got a kind of soap opera-like romance, with something remotely reminiscent of war going on in the background. There's not a hint of showing Nazi atrocities (the occasional execution, beard trimming, etc. doesn’t even come close). The bombing of Warsaw, which turned the city into ruins, is presented in the series in the form of one bomber flying over the city and three explosions. Either the creators didn't know what they were doing, or they didn't know how to do it, or the series was grossly underfunded. I bet it was a combination of all of the above. The only attempts to build an atmosphere I noticed were the visits to Berlin. Very weak, but I will watch the next season to learn something new about the war again.

Alright, I've made it through the entire first season, and the finale stayed true to the same course set from the beginning. Once again, there was a lot of weird stuff that distracted me from the romantic torment and self-torment. I won't delve into the details, my sight is not what it used to be but in a few darker shots, it almost seemed like the British dropped their paratrooper over Poland from a Junkers Ju 52/3m. Of course, that couldn't have happened, so I must have been hallucinating for sure.

Alright, it's no longer just an impression - I'm sure of it now. They're comedians. An Indian major in a high position in London? Now that's a great joke, and it landed perfectly. As I've mentioned before, the events in Berlin are by far the most interesting for me. In other cases, the plot feels like it's straight out of a soap opera. I really got a kick out of the paratrooper training scenes, consisting of Polish and French conversations and Morse code. What more could a para-agent possibly need, right? Well, at least I can have a good laugh from time to time. Undoubtedly, Robin Chase has become my favorite character.

It feels like the creators are poking fun at me. The Berlin episodes are definitely the standout so far, while the London ones are passable. However, Warsaw and especially France... Well, let's just say the team behind the series might have a knack for romantic drama, but they should probably leave the war events to someone more capable. The war neurotics are left armed to the teeth (Harry must love a bit of adrenaline), the British camp in the city in a caravan – and where on earth did that unattended girl come from? Did she just fall from the sky? But the biggest question mark for me: How on earth did Grzegorz make it to the Channel? Am I supposed to believe he first went east in Poland, then crossed through occupied territory to the west, danced his way through Germany, snuck past the front, and miraculously ended up in France? I'm not naive enough for that anymore.