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A research team based out in the snowy wilds of Antarctica find themselves besieged by a terrifying, shape-shifting creature which has found its way into their base. When it becomes clear that the creature can take the form of any organism it so chooses, the tension within the team reaches breaking point any one of them could be... The Thing. (Arrow Films)

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Reviews (12)

3DD!3 

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English I had chills running down my spine throughout this outstanding horror sci-fi. Carpenter’s style is put to ample use here and the B-movie make-up suddenly looks darn convincing. The subject is excellent and has great potential in itself, maybe slightly B-movie, but high quality. The atmosphere of anticipation, distrust and secrecy grows by the minute. Kurt Russell gave perhaps his best ever performance in The Thing, and when I think about it, Carpenter did too. The carefully build up in atmosphere in combination with Morricone’s music creates an amazing experience making for a rather sleepless night ;). ()

Necrotongue 

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English This is my idea of a quality horror film. Carpenter created an extremely intense atmosphere. The script works like Swiss clockwork from the first moment until the end credits. I first saw The Thing as a school kid on a second-hand VHS tape. The quality of the sound and image corresponded to a copy of an eleventh copy of the tape, but it lost none of its power. I have seen it many times since, and it’s a powerful experience for me every single time. One of my favorite scenes is definitely the testing of blood with a hot wire. My review in three words: cult, classic, awesome. ()

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gudaulin 

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English In my opinion, this is the best film by John Carpenter, who managed to extract the maximum out of the B-movie concept and, thanks to his excellent and imaginative direction, created a lasting cult film in the horror genre. The film is based on John W. Campbell's short story "Who Goes There?" from the classic golden era of American science fiction, and although it is often rumored that the film is usually weaker than the book, Carpenter knocked out Campbell. By the way, it is a remake, as the first film version was already made in 1951. While in the story, the creature takes on the form of a classic alien from space, Carpenter works with hints and combines solutions to scientific problems while creating a paranoid atmosphere of distrust and horror, where nobody knows if the person in front of them is really who they claim to be. Excellent camera work and music, very decent special effects shots for its time, but above all, a screenplay that maintains tension until the last second. The whole film builds up to a chilling, depressing, and completely hopeless ending. It was a very helpful role for Kurt Russell. It is also noteworthy that at the time, the film was coldly received not only by critics but also by the audience, and then it slowly gained recognition among film fans before becoming a classic. Carpenter managed to create a more emotional work with minimal resources than Scott did with a huge budget and the support of an influential film studio in Alien. Overall impression: 95%. ()

J*A*S*M 

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English The story is about a group of American scientists at a research station in Antarctica fighting against an extraterrestrial creature that can take human form. The film’s biggest strength is its superb atmosphere, which relies on the ubiquitous tension and mistrust among the main characters, and it’s amplified by the endless ice plains. But the “beautiful” creature effects are not very far behind and even the orthodox fans of bloody horror will get their fill. The Thing is hands down one of John Carpenter’s best films. ()

Marigold 

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English I don't like horror as a genre, but survival horrors are an honorable exception. And The Thing is almost a perfect representative, apart from the repulsive "gore" scenes, it contains something much more effective – a game with the psychology of the viewer. The principle of placing a group of characters in an isolated place (in this case, the white plains of Antarctica), making it impossible to escape (in this case, a massive storm) and exposing them to an enemy that can hide inside any of them is proven, but nowhere does it work as perfectly as in The Thing. The minimalist screenplay draws attention to the raw atmosphere, the replicas of the characters are more so purposeful, everything important can be seen and, above all, FELT. Something almost physically palpable comes out of The Thing - fear is not felt by artificial props, but by real experience. When the Thing appears, there is almost relief... Real fear is ignorance, insecurity. In short, this is how I imagine the perfect horror about surviving in extreme conditions. And the atmosphere of the polar base is so unique that The Thing probably won't be improved upon any time soon. ()

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