Dallas Buyers Club

It's basically just another entry in a long line of biopics about an individual's struggle against the rest of society, which also rather lacks a greater sympathy for the contradictory and sinful main character. However, the sly McConaughey gives a wonderful performance that is so convincing and chilling in its scope and detail that it alone secures the film's status as a thought-provoking and noble tale. And he’s strongly supported by Jared Leto, who looks absolutely terrible, but no other actor today could probably portray his difficult role so impressively. A small actor's film that has its value at first, but watching it again seems as pointless as forcing Keira Knightley to start eating meat.)) Also, Jennifer Garner is so cute! 75% (23/02/2014)

Dallas Buyers Club is a film whose main pillars are the subject based on a true story and very good performances of both leading actors, Matthew McConaughey and Jared Leto. Both of them have taken their roles conscientiously and their performances are convincing, so I am not at all surprised that both of them got the Academy Award. I must also commend the work of the make-up artists, who did an excellent job. I was slightly bored at a few moments, but otherwise the plot was very tight and consistent (16/03/2014)

Matthew is on damn good form and he’s delicious in this winning movie. We’ve seen the topic of AIDS and struggling against villainous corporations (“Fuckin’ FDA") many times before, but I can’t remember that it’s ever been served up with such style before. The life that his sickness brings with it is surprisingly fuller and more interesting - after all, he went to Japan and founded a fairly successful business. In terms of acting, this is top league on top form, Jared Leto was more convincing as a woman than as a man! It’s for personal consumption. (22/01/2014)

-Thank You. -Fuck off! Breaking Good? Not entirely. Dallas Buyers Club is surprisingly not an emotionally manipulative drama about the belated awakening of a homophobe. It is rather a sober film – in terms of both form and content – that instead of glorifying Woodroof, admits that this cowboy did not deserve any exaggerated compassion even after he contracted AIDS. The effort taken to not harp on the protagonist’s suffering and to simply depict him corresponds to the objectiveness of the form (filming without additional artificial lighting, documentary-style asymmetrical shot compositions, non-evocative use of music). If the film isn’t emotionally cold,  that’s particularly due to the gaunt McConaughey, who lost approximately 20 kilos for his role as Woodroof. Even though he plays only a shadow of his heroes from other films, he never loses the sparkle in his eye. The way that he combines inordinate self-confidence, blatant impudence and admirable tenacity makes the protagonist an ideal campaigner against the (medical) establishment, which expects nothing more from its nemesis, who personifies the indomitable nature of American ambition, than the fact that he will soon die. Also fascinating especially for his physical transformation is Jared Leto, whose scenes with McConaughey are remotely reminiscent of Midnight Cowboy, another film that didn’t take itself too seriously and, on the other hand, neither revelled in its serious subject matter nor trivialised it. 75% (10/01/2014)

A very intense film about people with an expired warranty and how the state treats them. As I have first-hand experience with this subject, it is very close to my heart and the writer and director have handled it really well. I'm pleased to see that Matthew McConaughey, after all the disasters he's been in, is back to proper acting, further exemplified by True Detective. An excellent film with a very depressing atmosphere and no unnecessary melodrama. Exactly what I needed. (14/08/2016)