Aquaman

Aquaman is a lot of things (suddenly and gradually). The origin story telling about the birth of the protagonist and the history of a nation, maternal melodrama turned upside down (from the perspective of the offspring, not the mother), an underwater Flash Gordon, a buddy movie (serving as the basis of an insipid romance), a fairy tale about two brothers, of whom only one can be king, a film in whose climactic scene the protagonists mounts a seahorse and his partner a killer whale ... ___ In purely structural terms, it holds together (thanks to a superfluous storyline with a vengeful pirate that motivates the hero’s transformation and forms the foundation for a sequel) and works rhythmically, but the tone changes every ten minutes (making Aquaman unintentionally reminiscent of South Korean multi-genre films) and the narrative is constantly helped along by the same processes (the dry “humanising” one-liners with which the protagonist responds to epic moments, shifting of the story with unexpected attacks by “water” soldiers). ___ My other reservations are rather problems that I personally have with the film – Jason Momoa does not come across as sexy to me and I am disgusted by the solving of problems with brute force, which he represents; Mera has to deal with most of the story in a scaly latex jumpsuit with a plunging neckline, and she acts competently mainly due to the fact that Aquaman is terrible by her side; the most reasonable actions are those of the villain who wants to start a war with humans because they pollute the oceans with their waste. ___ Visually and musically, Aquaman is great in places (it reminded me of Avatar, Blade Runner and Luc Besson’s better films; experts in old comic books may spot inspiration from other sources), and at least one action scene (Sicily) does not look like a noisy CGI clusterfuck, even if it steals from The Adventures of Tintin, The Bourne Supremacy, the second Captain America and scrolling video games. ___ As a guilty pleasure with overwrought ambitions (and a ginger Dolph Lundgren and sharks with laser cannons and Willem Dafoe, who plays a vizier named Vulko), it can be enjoyed without major pain. 65% (13/12/2018)

Roughly as OK as Wonder Woman. Aquaman benefits mainly from the innovative world that mixes together Star Wars and Avatar, with a pinch of Sahara desert sand and a dash of Sicily. Wan keeps the overwhelming story (according to the garrulous Geoff Johns) on a tight leash with great ideas and the movie's unbelievably sophisticated visual aspect. Momoa is all right (I can imagine even an R-rated version where he rips off people’s heads); his concept of the hero is attractive enough that he's able to carry this fantasy on his shoulders. Redhead Amber Heard is again a pleasure to watch. The biggest drawback of the film is probably the unintentionally funny Black Mamba, whose aquarium will probably bother Curry next time as well. (20/12/2018)

An overwrought digital coloring book, and I almost want to write "literally" coloring book – looking at the CGI smoothed out faces almost made me throw up. This just shows the hypocrisy of some film critics who accused The Hobbit of CGI overkill (and ignored the fact that in many cases it was also handmade sets), and with Aquaman, which in terms of digital mess is two or three levels above, they are quiet in this respect. I didn’t feel it was alive, not even once. Not even a comic book feel, because even the worst DC comics have more life and multi-dimensional characters than Wan's boring one-dimensional archetypes. Boring, sterile like Znojmo’s pickles. (13/04/2019)

I am incompatible with the new DC films; in fact, I am specifically allergic to their tone. Momoa is a nice guy, but as soon as Wan steps on the pedal and the camera pulls him in to the sound of guitars, I lose the last bit of interest in the character. And I have even less interest in the modest underwater people. This universe is not for me. (05/05/2019)

A dull coloring book from DC that more than anything resembles the sterile world of Marvel with a host of good-hearted heroes and bad guys who oddly enough want to destroy or dominate the world. Plus points for the fact that this time it takes place underwater, thumbs up for the sound engineers and effects guys, who really went all out on the underwater cities, and Jason Momoa is cool and knows how to rock, something we've known for a while now. The story, though, it’s about nothing. (19/03/2019)