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U.S. Federal Air Marshall Bill Marks (Liam Neeson) is all washed up; a former cop struggling to deal with his violent past and wrought with self-doubt. On a routine flight from New York to London, he receives a threatening text message from an unknown caller ordering him to deposit $150 million into a secret account or a passenger will be killed every 20 minutes. It's now up to Marks to hunt down the culprit and save the passengers the only way he knows, with brute force. It's a race against time and a race against death as this frequent flyer is about to experience something far more explosive than mere turbulence. (StudioCanal UK)

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POMO 

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English You’ll keep telling yourself that if the screenwriters don’t mess it up, it’s going to be a perfect aero-thriller. Non-Stop has a fast pace, a charismatic lead actor, rising paranoia and escalating suspense. But the screenwriters do mess it up, and even though the suspense remains, the film gradually loses its seriousness and in the end leaves you smiling indulgently over another silly action flick with a 1990s mentality (as you could expect from a Joel Silver production). A piece of advice: if everyone on the plane thinks you’re a terrorist and the situation gets out of hand, just tell them that your daughter died of cancer. ()

Isherwood 

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English A dull echo of the 1990s, whose cardiogram will drive you straight to the pharmacy for medication. Serra and Neeson would clearly love to create a new stable of action movies combined with a paranoid thriller, but while in Unknown they didn't take a screenwriter to Berlin, the airline to London forgot the captain straight away. Serra uses a lackluster flywheel that leaves Neeson's abilities in economy mode, as well as the entire pace of the narrative. It has a unique gift for moving forward headlong, but it lacks more substantial highlights that would give me a reason to see it again. One men's rendezvous in the bathroom really won't cut it. Actually, this is the first film in which Liam's position as an action titan seemed a bit out of place. There is no non-stop perennial here. ()

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kaylin 

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English Excellent thriller, which gradually runs out of ideas and it is clear that the ending will somehow be forced. Liam Neeson is great once again as an action hero, except for the strong emotional speech that was dictated to him by the screenwriters. Otherwise, I must say that I enjoyed the film because of its palpable tension. It doesn't last the whole time, but you will be rooting for Liam. ()

Malarkey 

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English I see that Liam Neeson can get himself mixed up in some great stories. After the movies Taken and Unknown, he completes his distinctive thriller trilogy with this very film. I just hope it’s not the end of the thriller genre for him, because I think he has found himself in those movies. And it doesn’t really matter that in this movie, he plays an aged alcoholic who shakes like a leaf at the thought of a stressful situation. Anyway, I can’t just talk about him all the time. The director has a great deal of credit for the high quality of this movie. If I decided to view this thriller as a crime investigation story, I’d think that everybody on the board of that plane was the killer. The camera shots of those people, their looks and even their behavior was exactly what I needed. Because I wasn’t sure about absolutely anything. And that’s why I really enjoyed this dynamic and tense movie. ()

Necrotongue 

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English Liam Neeson has found his niche as the character of an aging alcoholic desperately fighting for a good cause, and I can’t say I’m not a fan. This time it was not enough for four stars, though. The logical inconsistencies and melodramatic-clichéd speeches were too much for me. Having said that, I wasn’t bored, and the cast was great, so a 3*+. ()

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