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Vin Diesel, Paul Walker, Dwayne Johnson and Michelle Rodriguez lead an all-star cast as the global blockbuster franchise built on speed delivers the biggest adrenaline rush yet in Fast & Furious 6. Hobbs (Johnson) has been tracking an organization of lethally skilled drivers, whose mastermind (Luke Evans) is aided by the love Dom (Diesel) thought was dead, Letty (Rodriguez). The only way to stop the criminal mercenaries from stealing a top secret weapon is to outmatch them at street level, so Hobbs asks for the help of Dom and his elite team. Payment for the ultimate chase? Full pardons for all of them and a chance to make their families whole again. (Universal Pictures UK)

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Reviews (13)

lamps 

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English Modern action. A dynamically directed, testosterone-packed, stunt-filled blockbuster bullshit that can only be enjoyed without reservations by an individual who has never sat in a car and has no idea about the insurmountable power of Earth's gravity or rustic logic. While the fifth one had a better and more sophisticated story and more imaginatively benefited from the presence of the hyper-cool Dwayne Johnson, this one offers a story of the most primitive kind, overblown action (driving around town with a dumpster is still an everyday criminal routine) and a powdery chemistry between characters we simply can't worry about in the ridiculously calculated climactic scenes. But it still looks very good, despite the insane runtime there's always something going on and Michelle Rodriguez is so hot that you simply can't help but cry guilty satisfaction at the end... 65% ()

D.Moore 

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English For me, this installment of the film series is roughly on the level of the oft-mocked second part: well made, but otherwise pretty bad. Thieves turn into secret agents, cars get hacked while driving with Bond-esque contraptions, Letty's resurrection is delivered like something out of the worst possible soap opera, the bad guy is as bad a character as the good guys... Plus the annoying pathos, not to mention the action scenes, which with all their car-to-car, car-to-plane, and plane-to-car jumps just crawl tongue-in-cheek to reality. Not much to see here. ()

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Isherwood 

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English Lin has hit his limits, given that situations involving the characters and their emotional interactions elude him, taking his own feet from under him and in the final decision-making, he is unable to offer more than self-sacrificing glances and theatrical gestures. That’s assuming he doesn't fire off any major action bombs, but rather a still technically brilliant arrangement that has since last time abandoned any semblance of reality and ventured into the sci-fi genre (without a major highlight, moreover). This necessarily means a rough and painful fall that's ultimately hampered by the cast where everyone has parked themselves into their roles in a way that feels like they were just born for them. ()

3DD!3 

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English A bit more spectacular again than no. 5. The title sequence nicely summarizes all past parts (except part 3) and throws us into the luxury life that the brand new millionaires Torreto/O'Connor enjoy the very full. There’s even a new addition to the family. Then Hobbs comes along and spoils everything with the photo. Then comes destruction, action, fights both male and female and, as usual, lots of fabulous cars and the phenomenal more-than-chases that seem to break the laws of physics. They are basically three really long and sophisticated, action scenes filmed the old way where sheet steel and people get dented. There’s even a TANK! Diesel and Lin egged each other on and stepped on the gas. Also the groundwork for the last (?) part is full of promise and at last justifies the making of the bland part 3. ()

novoten 

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English Chris Morgan and Justin Lin knew what certainty they had in their hands, so it's a good thing they didn't have any reason to repeat themselves this time either. While the dialogue, after the previous simplification, have now ended up being nothing but slogans, wisdom, and catchphrases, the pace surprisingly slowed down and contrary to expectations, there is no exaggerated rush for any attraction. On one hand, that's a good thing because Brian can function as the main character thanks to his prison interlude; on the other hand, there is unexpectedly little happening in the first half. Nevertheless, the Furious gang easily reaches above average. In fact, some of the sequences really get your with their audiovisual concept (the race between Dom and Letty full of hypnotic atmosphere and well-deserved nostalgia), and the final inferno takes your breath away completely. And no, I'm not going to bother discussing the length of the runway in a movie where testosterone and gasoline can overpower absolutely anything. ()

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