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When a massive earthquake brings devastation to California LA Fire Department helicopter pilot Ray Gaines (Dwayne Johnson) rescues his soon-to-be ex-wife Emma (Carla Gugino) and the two make their way to San Fransisco in an attempt to save their daughter Blake (Alexandra Daddario), but their journey is full of unimaginable dangers. Will they arrive in one piece and be able to protect their daughter from harm? The film also stars Paul Giamatti, Ioan Gruffudd and Kylie Minogue. (Warner Bros. Home Entertainment)

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Lima 

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English The Rock is cool, no doubt about it. Otherwise, this is just a bunch of terrible, boring clichés, dull dialogue, amateurish acting and overwrought CGI; just everything I hate so heartily about the current mass production of the dream factory. And three people wrote the script for this? This shows that some professions in Hollywood are even easier than receiving welfare. I never thought I'd say this, but I miss Emmerich! ()

POMO 

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English Nobody expected a revolutionary cliché-free contribution to the genre, not even from Warner Bros. The same goes for Emmerichian wit and insight. The characters are fine, unlike those in last year’s Into the Storm, and better than those in Poseidon. So, overall it’s an alright movie, a display of decent craft without errors and surprises. ()

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Malarkey 

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English The Americans tend to shoot a disaster movie once in a while, cry their eyes out and show Americanism in its harshest form. And they usually take down Los Angeles or San Francisco. It lies on two tectonic plates, so it’s strongly fitting for a similar movie. For many decades now. Fortunately, San Andreas doesn’t deviate from the standard and performs solid popcorn entertainment, which is supported by Hulk Dwayne and solid CGI. It’s almost a surprise that a similarly tuned movie wasn’t made by Emmerich, but by the talented Peyton instead, because he massacred the surroundings very well. ()

lamps 

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English A genre routine without a shred of narrative innovation and insight, served exclusively in the company of surprisingly annoying and cluttered digital effects. Where the similarly destructive 2012 had a far more entertaining story, memorable "last-minute" escape scenes, and an air of fatalism about it, San Andreas only has likeable characters – but how can we even root for them when it's clear from the start that nothing can happen to them....? A big disappointment, the muscular physiognomy of Mr Rock and the lush breasts of Ms Daddario in top form definitely deserved much better advertising. 40% ()

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