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Ground control has been receiving strange transmissions from the remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he experiences the strange phenomena that afflict the Solaris crew, sending him on a voyage into the darkest recesses of his own consciousness. In Solaris, the legendary Russian filmmaker Andrei Tarkovsky gives us a brilliantly original science-fiction epic that challenges our conceptions about love, truth, and humanity itself. (Criterion)

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Reviews (8)

Necrotongue 

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English I decided to watch this film hoping for an extraordinary experience, which is what I ended up getting. I was so unexpectedly and massively disappointed that it can’t be called anything but an extraordinary experience. The main theme was not bad at all, but the creators unfortunately managed to stretch out the length far beyond what I could possibly bear. At least half of the film is filled with protracted shots of the countryside (or traffic - the taxi ride seemed endless, and it was completely unnecessary, but probably highly artistic), and staying focused felt like a superhuman feat. Good thing it wasn’t me but my replica who had to suffer through it. ()

J*A*S*M 

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English 8/10/2009: 2 stars /// 7/11/2014: I’m several years older and more experienced as a viewer, so I thought I’d give it another go, and it’s quite good. Science fiction of the more intellectual kind, mainly for people who enjoy being offered something to ponder over. The atmosphere is engaging and unsettling, also quite thought-provoking at times. But only at times, really, because, even though this is philosophic sci-fi, there’s not that much philosophising (they hardly speak). It could also be shorter, a lot. ()

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Lima 

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English The more times I see it, the more I love it. Maybe the runtime is excessive, maybe some of the scenes don't make sense (and yet they still feel magical, for example the drive down the highway), but everything else – especially the atmosphere, the visual compositions hand in hand with the haunting music, the interesting philosophical musings, etc. – all make Tarkovsky's film one of my most magical cinematic experiences in years. This is the kind of uncompromising artistic statement you hardly see anymore in modern cinema. ()

lamps 

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English A non-commercial, artistic sci-fi masterpiece that doesn't have that much to say compared to the brilliant Stalker, but it remains more than pleasant to watch after all these years. Unfortunately, I don't like it much when I'm sucked into a whirlpool of dense atmosphere, timeless motifs and tiresome philosophising for three hours, only to not understand the final twist at all and not be able to put all the beautiful pieces of the complex puzzle together into an even more impressive whole. Maybe one day the Holy Spirit will shine on me and I will be able to appreciate this formally perfect film as it surely deserves, but in a normal state of mind, that's not in sight. 70% ()

NinadeL 

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English The Tarkovsky scarecrow may not be such a major problem if we view Solaris through the lens of contemporary science fiction. The result will, unfortunately (or thankfully), be just another film that has not withstood the ravages of time. Of course, you can also read Lem's novel, watch the modern remake and, with a slightly ironic smile, look for the old TV version. All science fiction before Star Wars has its limits, including Tarkovsky's opus. I really don't appreciate a spaceship whose integral part is the icons of Andrei Rublev spread out in the cabins. I really, really don’t. ()

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