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Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill... or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables -- but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet. (Lionsgate US)

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Reviews (13)

kaylin 

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English The second one is just so good and has such great lines that the third one can't compare. It lacks Chuck Norris and a bit better interaction between the characters, those young ones are a bit unnecessary here, on the other hand, it would probably be even more boring story-wise. It's stretched out in some places, but when it comes to action, it's great, just there's not enough blood. Yes, I was expecting a little more, but for me, it's still a great spectacle that I enjoyed. The feelings are not like after the second one, but I'm still looking forward to the fourth part and I hope it comes. ()

novoten 

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English Morons need friends. While the second installment surpasses the first one in mutating into long action orgies that can only be interrupted by a witty line or a minor plot twist, the last foray into 80s nostalgia surprisingly does the exact same thing. It doesn't stop, it doesn't take a breath, for two hours it throws various fighting tactics at the audience, all enveloped in a disgruntled retirement subplot. Moreover, Mel Gibson's unsettling ex-Expendable works brilliantly, especially because he isn't a villain in the classic sense of the word, but a guy whose nerves are on edge (though his own nerves occasionally lightly hold him back). Thanks to Sylvester Stallone's unbreakable buddy chemistry with anyone, this team of walking bulletproof vests managed to reach such heights. Considering the zero box office revenue, it will likely remain there – and considering the maximum satisfaction and sense of closure at the end credits, I can actually live with that. ()

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Lima 

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English Sly's scripted assurance that old geezers are still better than young inexperienced kids is actually enough to make me happy. I could have done without the gender emancipation element in the form of an invincible warrior in a skirt (the director should have explained to her that a perpetually scowling face would not make her a tough brawler), but on the other hand, Banderas was pleasantly delightful in his self-deprecating role delivered like a ferret on speed. The fact that the young ones lack any charisma at all is actually good, it makes the personality of the old action stars stand out all the more. And the final action-packed 20-minute set-piece finally brought it up to a very close 4*. I have to laugh at some of the criticisms here (as well as like-minded reviews on news sites) to the effect that the Expendables 3 "is all about shooting". What else did you expect from a pure action franchise scripted by a man named Sylvester Stallone? A Kantian reflection on the meaning of existence and the universe? ()

D.Moore 

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English I think it's a better film than the second film, which feels somewhat forced. But of course it has its flaws. On the one hand, it’s perfectly filmed and well-arranged action with an amazing finale with the army, a likeable bunch of familiar old men spiced up by the excellent Banderas and Ford, who obviously had a good time, villain Mel Gibson, and a constant pace. On the other hand, most of the time the young team is not very interesting (this is not true in the finale, where they all shine) and especially, especially, especially the lackluster Stallone vs. Gibson duel. Plus there is one glaring illogicality - the Expendables fly to Somalia to eliminate someone and they don't even know what he looks like? Very strange.___P.S. Those who watched the pirated copy instead of at the movie theatre must have missed about half of the experience. Good for you. ()

Kaka 

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English This is not a tribute to the eighties, this is mindless and dull. There is no winking, only a rehash of annoying trademarks we used to smirk at in the past, but in a newer package. The frowning main character, the incredibly confusing and poorly edited action, a heap of amateur digital effects, and except for two or three shots, uninteresting full-contact fights with no trace of dynamics. If it had at least least half of the raw feeling of Bourne, I would happy. Truly disappointing. Only Antonio Banderas and the non-action chemistry between the main characters entertained me. But they didn't have to make an action movie for that. A live stream while having dinner in LA would have been enough. ()

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