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In WILD, director Jean-Marc Vallee (Dallas Buyers Club), Academy Award winner Reese Witherspoon (Walk the Line) and Academy Award nominated screenwriter Nick Hornby (An Education) bring bestselling author Cheryl Strayed's extraordinary adventure to the screen. After years of reckless behavior, a heroin addiction and the destruction of her marriage, Strayed makes a rash decision. Haunted by memories of her mother Bobbi (Academy Award nominee Laura Dern) and with absolutely no experience, she sets out to hike more than a thousand miles on the Pacific Crest Trail all on her own. WILD powerfully reveals her terrors and pleasures --as she forges ahead on a journey that maddens, strengthens, and ultimately heals her. (Fox Searchlight Pictures US)

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Reviews (13)

Matty 

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English Though Wild is very well rhythmised in twenty-minute segments, due to the logic of the plot new revelations cannot reverse the course of events, but only contribute to our understanding of the protagonist. Especially in the final third, we could criticise the film for the fact that it suffers from a low level of action and structural repetitiveness. However, if we don’t judge it by the standards of mannishly linear “action” films, the narrative cyclicity with the returning of motifs as fixed ideas (instead of development of those motifs) is conversely what makes Wild a unique film that is both outwardly and inwardly feminist. 80% ()

Marigold 

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English A conventional travel drama about the search for oneself, which Jean-Marc Vallée is able to enrich with interesting flashbacks, most of the time. They develop several themed storylines that focus on the magnetic Reese Witherspoon. Her transformation from a frightened novice who isn’t able to lift her own backpack to queen of the PCT is so impressively experienced, so much so that one also forgets balancing on the edge of kitsch, a bit of amateurish symbolism and a stretched last third. Not that Hornby's "book-like" screenplay helps with its pronounced durability and depth, but as a pleasant spiritual trip through a beautiful landscape for one evening, it's absolutely okay. ()

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lamps 

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English Better than Into the Wild, it works much better with the dosing of information and always has something to reveal. Reese is great and you never lose interest in her character, though many of the scenes are not precisely the most memorable (but many are enriched by “El Condor Pasa”). For me it’s also valuable as an educational documentary – I realised that I would go on a long nature trip only with a bunch of armed friends and accompanied by a car carrying beer, a coolbox and a grill. That would be proper wilderness. 75% ()

NinadeL 

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English In retrospect, after Big Little Lies, it's easy to appreciate Jean-Marc Vallée's collaboration with Reese Witherspoon and Laura Dern. A pleasant experience, despite the fact that the subject is quite unique. Whoever is tempted by this adventure on foot through the wilderness can also read the autobiographical book of the same name by Cheryl Strayed. ()

DaViD´82 

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English When you cheat and take drugs, you become a prostitute... What is surprising is that the Wild is also good in terms of the intimate and chamber line "lonesome Witherspoon - inhospitable nature - endless purifying walk - the eternal self-question of the heroine". On the contrary, on this level, it does the job really well. To the extent that it makes you want to take a bag pack, go on a solitary hike and at the same time clear your head. The only drawback are the unnatural flashbacks, which at first can do with only hints/flashes in a nice way, but the closer Cheryl's journey comes to an end, the more literal and didactic they are. But what it only takes is one alpaca and everything what should be said becomes instantly clear. ()

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