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Keanu Reeves stars in this home invasion thriller directed by Eli Roth. Left at home alone while his wife and children are away for the weekend, Evan Webber (Reeves) receives a late night visit from two attractive rain-soaked young women asking to use his phone. But after letting the girls inside and allowing them to use his shower and dry off their clothes, the night takes a turn as the two girls seduce Evan to thank him for his hospitality. Reluctant at first, Evan eventually gives in to temptation but not without suffering the consequences. (EIV)
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This might be my third attempt at watching an Eli Roth film, and so far, one star is my maximum. However, just because his work doesn't resonate with me doesn't mean he's a bad screenwriter or director; it simply means I'm not a fan of his style. The plot of this movie, labeled a comedy (which I think the distributor got wrong), felt quite weak to me. The story seemed incredibly far-fetched, and overall, the movie gave off the vibe that Eli Roth just wanted to have a bit of fun. I only gave it a star for the (briefly effective) erotic tension and Ana de Armas's performance, but that didn't last long before the story took a bizarre turn. Were the girls actually enjoying the whole home invasion scenario? That's where the movie lost me. If you've never dug a grave or any kind of hole in the ground (say, for plumbing), you probably wouldn't understand what a grueling task it is. I simply can't buy into the idea that those two cheerleaders would enjoy that. Overall, it felt like mostly nonsense with a tinge of boredom, hence the one star. / Lesson learned: When home alone, it's best not to open the door to strangers.
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Keanu Reeves has a terrible role, but he played it somehow as expected. However, his character is incredibly boring and annoying, which is simply a problem for the whole film. There are some good elements, the idea with the girls is well done, but overall it's nothing that should grab your attention. The principles of home invasion are followed, but nothing more - except for one scene with boobs - you simply won't get anything extra.
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This film was a big question mark for me before the première. The premise looked uninteresting, ordinary, and utterly unattractive, and I couldn’t figure out why Eli Roth had picked a project like this. But it wasn’t bad after all, quite the contrary, thanks to the ending, I think it’s more entertaining and subversive than I could have ever expected. The worst is actually Keanu Reeves, who is really unfitting for the role of a desperate and helpless father, and his performance is almost funny.
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In the first half of Knock Knock, Eli Roth manages to render the growing tension between the characters and the behavior of
Keanu Reeves’ model husband in an unusual situation. In the second half, however, this psychological storyline, which is of key
importance for the film, falls apart like a house of cards and the girls become unbelievably (and illogically) over-the-top
characters in a brainless “horror” B-movie.
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A modern fairytale where the fairies wear their panties darn low... More a film for girls than guys. Reeves is absolutely awfully cast and a little outside his comfort zone, but I don’t blame him in the slightest that he agreed to do it. The girls in distress, on the other hand, rock. The most watchable movie from Roth so far. P.S.: The nudity in the movie is harmless. It’s more about destruction than about sex.
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