Colonia

I was looking forward to this film, but I’m disappointed. Daniel Brühl was excellent as usual, but this time he was overshadowed by the main villain played by Michael Nyqvist. The role obviously agreed with him. My disappointment stems mainly from the fact that it is difficult to create an atmosphere of terror when you have to rely on mere hints. I'm not saying that I need to see splashes of blood on the screen all the time, but Colonia felt a bit like a porn movie with a bunch of people sitting around a table discussing sex. It could have been a good film if it hadn't been for the wasted potential and the resulting lackluster atmosphere. (18/11/2016)

If I were to approach Colonia as a so-called serious film that tries to analyze the political situation in Chile after Pinochet's coup and also examines the functioning of closed religious communities, I would have to unconditionally give it a negative rating, and quite radically. Fortunately, being well-informed, I have always perceived Colonia as an adventurous thriller with a strong romantic subplot that perceives the political situation after the military coup only as a backdrop for its storytelling. Within the genre, it is certainly above average. The film is well cast, especially Michael Nyqvist as the sect leader, who acts appropriately corrupted and demonic. He truly relishes the role. Of course, weaknesses and flaws can be found in the screenplay, especially in the last ten minutes when Colonia imitates the finale of Argo, which comes across rather comically. While in Argo, you felt like the Ayatollahs were breathing down your neck, while here the ending seems somewhat naive. However, the main thing is that, practically throughout the film, it maintains its pace and tension in line with what it wants to be. It simply entertains. I thus have no reason to give it less than 4 stars and a 75% overall impression. (18/05/2016)

A co-production Requiem for a Maiden without Renč's exploitative lack of feeling and above all without the lesbian scene with Holubová, from start to finish it's an incredibly mind-numbing and routine inspired-by-true-story Pinochet-era romance with no handwriting whatsoever. Emma Watson plays a lunatic well. (05/08/2016)

Colonia has a somewhat slower start, in which we get acquainted with the characters and the inhospitable setting of Colonia Dignidad, while the second half is already more action-packed, and in the last twenty minutes I was squirming in the cinema, waiting anxiously to see how it would all turn out. Some of the colony scenes were really raw to the point of being uncomfortable to watch at times. It's almost unbelievable how out of control a system based on the thoughts of a fanatical madman can get. In short, a solid drama that gains more power and impact the moment you realize it's based on real events. (25/06/2016)

In collective scenes sufficiently predatory and absorbing, in moments of terror it forces you to avert your gaze. As a whole, in its message of freedom of spirit, mind, and humanity, it does not fail; in the possibility that something like this is real even in modern history, it is fatally depressing. When looking at the flawless Emma Watson and the captivating Daniel Brühl, I am willing to forgive a few minor stumbles because the content outweighs the importance of the screenplay form this time. (12/04/2016)