Plots(1)

Len Wiseman's directorial debut sees vampires battle with werewolves. Two underground communities, the sophisticated Death Dealers (vampires), and the feral Lycans (werewolves), have been battling for supremacy and hidden from the mortal world for centuries. That is until one night when one of their battles is witnessed by a young doctor, Michael Corvin (Scott Speedman). When a leading member of the Death Dealers, Selene (Kate Beckinsale), discovers a Lycan plot to kill the doctor she decides to follow him. But the more Selene follows him the more attracted to the man she becomes, and is convinced that the Lycan's are planning a major attack. When Corvin is attacked by a Lycan and becomes a werewolf, and a sworn enemy of her race, Selene finds herself in a dilemma. (Entertainment in Video)

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Reviews (11)

POMO 

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English The key to Underworld is your level of tolerance for the screenplay that pretends to be serious but is actually naïve and unintentionally funny in places. Len Wiseman may have fulfilled a childhood dream, but he’s either forgotten about the more mature audience or he still has a pimply face himself. Even so, I can’t give this less than three stars, which is thanks to the spectacular production. The childishness is justified by the fury of the action scenes, the sets and mainly Kate Beckinsale’s sexy costume. If you’re not an admirer of Federico Fellini, the visual and aural aspects of this film will appeal to you more than its content will annoy you. ()

Lima 

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English We are in the 21st century, gone are the days of individualists with two fangs, now we have whole families of vampires and lycans who organize themselves almost like political parties and wage wars among themselves like mafiosi. Vampires with electronic equipment and a massive arsenal of weaponry are nothing like the pleasantly decadent vampires from, for example, Jordan's Interview with the Vampire. Sorry, Director Wiseman, I prefer the decadent ones, or the posh Count Dracula, who with all nonchalance digs his fangs into an artery and needs no laptops or liquid silver bullets to do it. For a ridiculously low budget of 20 million I was treated to some very impressive images in places, but that’s not everything, script-wise it was as scratchy as Kate's tight leather outfit while walking, the war between lycans and vampires full of machine gun shots didn't entertain me at all, nor did the plot around the blood mixing. Basically, there was nobody to root for. A lot of silly fun, really. ()

MrHlad 

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English A film that is the biggest disappointment of the year for me personally. The fact that the touted story of Romeo and Juliet in the world of vampires and werewolves never happens wouldn't matter so much, but an action horror film with entirely unimaginative and static action and without a single thrilling moment is already a problem. On top of that, the acting is mediocre, the make-up effects are crap, the script, besides being pretty simple, has tons of logical errors and the direction is very subpar. It's a shame, because with its premise it could have been so much more. ()

Marigold 

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English How to put it best... I really like the topic of vampirism and I don't mind the pop culture mutation of “Vampire: The Masquerade". I am more bothered when there is too much of the same thing in Hollywood, which is exactly the case of Underworld. I quite liked the atmosphere of some of the shots, and I also liked the vampire guru Viktor and his counterpart, the Lycan "Pepa Vojtek" Lucius. Otherwise, the characters lack motivation and, what’s worse, they are played tragically (particularly Barbi Kate is dismal). The biggest loser, however, is director Len Wiseman... the film might be stupid but also attractive, but in its current form it is only stupid. I would forgive the completely obvious and non-artificial copying of the visual style of the Wachowski brothers, but it is very difficult to forgive the totally chaotic and choreographically-weak action scenes, which culminate at the end with a confusing swarm of uncles in black coats... Trying to figure out who is who in the cannonade of cuts is useless, and this characterizes the entire film. Underworld lacks strong conflict and drama bearers, a clearly defined storyline, and mastered choreography. In some places the film does not lack decent action momentum, but the mentioned chaos and dialogues conducted in a ridiculously ceremonial spirit undermine the film and make it weaker. ()

NinadeL 

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English This was alright. Kate in the corset and latex is decent at least. The purposefully colorized black-and-blue-and-white film is pleasing to the eye, but that's about all there is to say about it. Dramatically, it’s too straightforward, so the only films it can beat on points in its genre are the infamous Twilight saga films. ()

Kaka 

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English Underworld is definitely not an extremely good film, but it is visually attractive, musically well-done, and sufficiently atmospheric. Kate Beckinsale fits snugly into her tight suit, and the only thing that really bothered me, and paradoxically diminished the film's cool factor, were the sometimes dull and unnecessary digital effects. ()

lamps 

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English A terribly naive barrage of action that perhaps suffers from the inexperience of Wiseman as a director; he obviously shot the film with great passion, never letting the viewer breathe a sigh of relief with a relentless sequence of shootouts, chases and werewolf transformations. That's certainly a good thing, but with such a bland and silly story, it didn't really come together. I felt like the film was exactly the same from start to finish and ultimately didn't bring anything groundbreaking to make me remember it for a long time. Apart from Kate Beckinsale, the best was probably the demonic Bill Nighy, whom I couldn't recognize at first thanks to the thorough work of the make-up artists. ()

Stanislaus 

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English Along with Ginger Snaps, Underworld is one of those series featuring monsters that I can't get enough of, despite my mediocre rating. The first episode has a really well done and atmospheric opening, including an introduction to the mythology of vampires and werewolves that draws the viewer into the story. I liked the hierarchy and the overall concept of the world of vampires, who, compared to werewolves (or here so nobly called Lycans), seemed more "aristocratic" – for example, covens and awakening elders. Like more than one user here, I have to comment on some of the illogical or even downright silly scenes that occurred from time to time in the film, such as the floor being shot through with a pistol (overall, Selene had a lot of rough bullets as they pierced the floor and walls at rest), the shooting sequence (a ton of bullets politely losing all the way against a few shots), or (possible SPOILER! ) the final duel between Viktor and Michael, which at times kind of reminded me of an awkwardly done game of strings and flying through the air (end of possible SPOILER!). But not to be a detractor here, I have to give credit to the decently done cliffhanger, which set the stage for the sequel, and also the decent soundtrack. It's a film that I like despite these visible flaws, which is why I like to come back to it from time to time. ()

Necrotongue 

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English Underworld is a standard vampires vs. werewolves movie, the only difference being that it's actually fun. It’s quite an easy watch, so I just switched off a part of my brain and let myself be entertained by all the various characters, the best of whom was definitely Viktor. ()

Remedy 

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English I'm not saying it's a masterpiece, but in concept and treatment, Underworld certainly doesn't fall into the category of a purely "B" film: The sets, the art direction, the music, and the excellent action are the main pluses of this film, which otherwise flounders on its script. Underworld is far from being a sophisticated and intelligent vampire saga, but I was not bored, quite the opposite – I had a great time. A weaker 4 stars. ()