The Big Sick

The Big Sick is another one of Judd Apatow’s great conversational dramas with a beautifully light and positively conceived take on the current most pressing issue of Muslims, with a traditionally relatable and well-analyzed relationshiporiented plot line. The film is emotional and intelligent, with a script worthy of an Oscar nomination. And I think that Zoe Kazan might get one as well. (08/07/2017)

Don't expect a romantic comedy from this. Except for one inappropriate joke about September 11th and a few amusing moments, the attempts at humor fall flat - especially considering the environment of stand-up comedians in which Kumail works. As a melodrama that wants to touch and manipulate your emotions, it surprisingly works well. The mere three stars I'm giving it are due to the cast. The chemistry between the central duo is minimal, but it's not just about their interaction. They simply lack the charisma to capture the audience's attention and carry the main roles in their respective genre. Kumail is simply not Hugh Grant or Colin Firth, and Zoe Kazan is not Meg Ryan. And here's another observation: rather than an indie film from the Sundance festival, this reminds me of a Hollywood studio production. The arranged brides look like a portfolio of a Pakistani modeling agency, and potential conflicts and barriers are overlooked and retouched. Rebelling against established norms, such as arranged marriages, is one thing, but admitting to parents the loss of religious faith and transitioning to agnosticism or even atheism in the conservative environment of Pakistani Islamic conception is incomparably more serious and hardly imaginable. The only possible consequence here would be immediate and complete expulsion from the family and community. It is good to remember that the (extended) family and community have a crucial significance in Islamic society, which the individualistic and rationalized West usually underestimates and disregards. Overall impression: 65%. (04/08/2019)

Enthusiastic responses from Sundance announced that this may be the comedy of the year, but it’s no miracle - this independent romantic comedy is completely standard, and there are dozens to hundreds of similar films in existence. In fact, it is only moderately funny. However, it differs from the others with its Pakistani themes and cute origins, which is certainly a plus, as well as the unusual motifs of the mother separating her son from her family for disobeying cultural traditions, jokes about Muslim terrorists and possible metaphorical interpretations of the deadly consequences of lies among two partners. (24/06/2017)

The film had a really slow start for my taste. I didn't really get why it was supposed to be a comedy. Ironically, I only got it when things started to get serious and Emily's parents came on the scene. That's when I started enjoying myself and it lasted almost till the end of the film. Almost. The ending was all-American, sappy and predictable and robbed the film of a potential fourth star. (30/01/2018)

An enjoyable film with a topical theme of Muslims and a very likeable main character, who unfortunately I didn't find funny at all in his stand up routines, but the film keeps a decent level thanks to intelligent dialogues, decent romance, strong emotions and you also learn something about Pakistani culture, so it's definitely a film worth watching. 75% (19/09/2017)