Mad Max 2: The Road Warrior

The Road Warrior is a film I have seen many times and still enjoy. An action-packed post-apocalyptic blast and one of the top 5 action films of my childhood up there with RoboCop, Terminator, Alien, and Raiders of the Lost Ark. Among other things, the film contains great costumes and technology, but above all, it manages to draw me into the plot and doesn’t let go for a second. (24/06/2016)

Two years after the success of his breakthrough debut, director George Miller returned to the Mad Max character with a sequel that completely redefined the concept of the post-apocalyptic world in popular culture and, furthermore, set the bar very high for action spectacle. The Road Warrior became a phenomenon whose style and success dozens of other productions around the world tried to emulate. But no one has been able to bring such an abundance of raw energy to the screen, nor has anyone succeeded in inventing such a fascinating microcosm of relationships. The post-nuclear future meets the myths of the past as Miller brings elements of the western to life with the aid of roaring engines and rampaging savages clad in leather and rags in a world where a drop of gasoline is worth more than a human life. (Annotation for the series marathon at Kino Aero, 2019) (14/03/2021)

A breathtaking post-apocalyptic action flick during which you feel the ubiquitous dust in your own mouth. Perfectly chosen locations, a dynamic plot with a powerful atmosphere, unique action scenes with cars. The Road Warrior is even better than the very good first Mad Max. What I wouldn’t give to see it on the big screen! (15/06/2004)

Unlike the first film, the director "bothered" to outline at least a little bit of the vision of the post-apocalyptic world. It's nothing groundbreaking, and a rough cut of war scenes from documentaries is the easiest way to go. The script is also certainly not groundbreaking, and thus the pile of clichés may not be to the taste of the contemporary viewer and even the more tolerant individuals will struggle to swallow the overly theatrical dialogue. Fortunately, all of this is balanced by completely unique action sequences, which are unthinkable to film nowadays because some of the special effects numbers would make Hollywood insurance people throw a fit. Cinematographer Dean Semler excellently shot a vast desert wasteland and dusty trajectories trailing behind the cars are literally pouring from the screen onto the audience. Mel Gibson stepped up in the lead role and the soundtrack isn't quite as annoying. The cheesy B-movie aspects have shifted to a crazy romp (the costumes were stolen by the filmmakers from an S&M parlor!), yet it has no dead spots from first to last minute and watching it is actually perverse fun. (21/05/2006)

The model of the revenge film has been exchanged for a story set in a post-apocalyptic world, where oil is the most important thing a person can have, because without it, it will be very difficult to move forward in the barren landscape. The roads here are blocked by various scoundrels, but also by people who simply want to live. One of them is Max, who seeks revenge but has not given up on life. This time, however, he must face more scoundrels and help people defend their oil source. At times, it is absolutely iconic, the boy with the boomerang is perfect, at other times, it is quite ordinary, but it is important to realize that it is still a film that has already aged about 33 years. The environment will constantly make you feel incredibly hopeless. This is definitely a welcome effect. (05/03/2014)